Concert Reviews of Neil Young:Tower Theatre, Upper Darby, PA, April 30 & May 1, 2011

A review that manages to undermine its thesis with a backhanded compliment of the concert.

From Neil Young intriguing but not life-changing at Tower | Philadelphia Inquirer | 05/02/2011 By Dan DeLuca:

The 17-song set list - which Young has performed with little variation on this tour - mixed acoustic gems such as 'Helpless' and 'I Believe in You' with Le Noise material, plus rampaging warhorses such as 'Down by the River' and 'Cinnamon Girl,' done in the layered, solo electric Le Noise style.

Sounds great, right? It wasn't, quite. At least not by the elevated standards of Young, who seemed crankier than usual. That might have been in response to high-volume audience members who persisted in bellowing out requests long after it was clear he had no intention of granting them. Before doing a jaunty new song called 'Leia' on piano, Young dedicated it to 'the little people, who aren't yelling their asses off.'

The purely acoustic numbers, particularly the opening trio of 'My My, Hey Hey (Out of the Blue),' 'Tell Me Why,' and 'Helpless,' were sublime. A study in perpetual motion even when seated, his ever-distinctive high tenor piercing the night, Young has no equal when it comes to commanding the attention of a few thousand with just his guitar and voice.

The rest of the show was more problematic.

More of Dan DeLuca's review where we were left scratching our heads at how someone can find a concert "problematic" because it is "not life-changing."

Talk about lofty expectations of "the critics"...

Another take...

From Neil Young Impresses Solo at the Tower | On That Note by Ed Condran:

Young effectively ended the set with the new moving cut ‘Walk With Me.’ However, there were points when Young was utterly transcendent. The gorgeous ‘Helpless,’ ‘My My, Hey Hey (Out of the Blue)’ and ‘Down By the River’ were more than worth the price of admission.

It was just Young and a wall of noise. He alternated from guitar to piano to pipe organ. The eccentric icon appeared to chat with a cigar store Indian, one of the few objects adorning a spare stage set.

The quirky Young proved to be mesmerizing whether stooped over in that familiar manner while jamming away on his guitar or tickling the ivories.

The waves of noise were a reminder, who is truly the Godfather of grunge.

There were moments in which Young and his old warhorses took fans to another place, which felt awfully good.

From CONCERT REVIEW: Neil Young @ Tower Theatre, 4/30 | Philadelphia City Paper | 05/01/2011 by Sam Adams:

Clad in a white linen jacket and Panama hat, Young opened with the Greatest Hits trio of “My My, Hey Hey (Out of the Blue),” “Tell Me Why” and “Helpless,” but that proved to be something of a (doubtless purposeful) misdirection for a set half composed of lesser-known songs, including six of Le Noise’s eight tracks and the unreleased “Leia” and “You Never Call.” That previous audiences might not have welcomed the approach could be gleaned from the laminated signs posted in the lobby, which read in part, “The artists respectfully request that you refrain from whistling or yelling out during the performance,” which loosely translates as, “I played ‘Cinnamon Girl.’ Now shut the fuck up.”

That didn’t stop one beefy dude from repeatedly yelling “What the fuck?!” as the crowd streamed out after Young’s single encore, but then he’s spent decades perfectly the delicate art of getting classic-rock fans to turn out whether he’s playing the hits or a rock opera about environmental revolution. Saturday’s show might not have been what the audience was expecting — and chances are Sunday’s will be much the same — but those who came with open ears heard Young finding new ways into well-worn classics and forging onward with characteristic eccentricity. At times, the show recalled Young’s defense of his scattershot run of 1980’s releases: “You can call me erratic, but I’ve always been consistent about it — consistently erratic.”

From This time, Neil Young delights his fans - phillyBurbs.com By ED CONDRAN:

Fans were well behaved this time around, at least by Young standards. They were attentive while he showcased tracks from his latest album, 'Le Noise,' a solid collection inspired by life and loss that alternates between cacophonous rock and softer, folkier numbers.

Young effectively ended the set with the new moving cut 'Walk With Me.' However, there were points when he was utterly transcendent. The gorgeous 'Helpless,' 'My My, Hey Hey (Out of the Blue)' and 'Down By the River' were more than worth the price of admission.

It was just Young and a wall of noise. He alternated from guitar to piano to pipe organ. The eccentric icon appeared to chat with a cigar store Indian, one of the few objects adorning a spare stage set.

The quirky songsmith proved to be mesmerizing whether stooped over in that familiar manner while jamming away on his guitar or tickling the ivories.

The waves of noise were a reminder of who is truly the Godfather of grunge.

There were moments in which Young and his old warhorses took fans to another place, which felt awfully good.

Excellent vibe review on Amused Cynic.

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Neil Young will be performing tonight at Tower Theatre, Upper Darby, Pennsylvania. Special guest Bert Jansch will open concert.

Got a report? Drop a comment below.

Check Sugar Mountain for setlist updates and Chronological Grid, Recording Summary, Statistics and Extras.

Also, see Neil Young's "Twisted Road" Concert Tour Reviews and the right, middle sidebar for continuous real time RSS feed updates.

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Preview of "MusicCares Tribute to Neil Young" BluRay/DVD

Here's the Trailer for "A MusicCares Tribute to Neil Young," out on DVD and Blu-ray on May 31, 2011.


MusicCares Tribute to Neil Young [Blu-ray]
(Click to Zoom Cover)

The new DVD/Blu-ray disc captures the 2010 MusiCares gala honoring Young as Person of the Year, and features a stacked roster of artists, including Elvis Costello, Dave Matthews, Wilco, and Lady Antebellum paying tribute to the music legend. Young was honored for his body of work, as well as his philanthropic efforts over the years.

Proceeds from the sales of the DVD/Blu-ray will go to MusiCares, which gives musicians in need financial and medical assistance.


Musicians Dave Matthews, guest, Jason Mraz, Emmylou Harris, Elvis Costello, Shawn Colvin and James Taylor onstage at the 2010 MusiCares Person Of The Year Tribute To Neil Young at the Los Angeles Convention Center on January 29, 2010 in Los Angeles, California

A MusiCares Tribute to Neil Young Program Listing:

1. Rockin’ In The Free World – Keith Urban/John Fogerty/Booker T. Jones
2. Only Love Can Break Your Heart – Lady Antebellum
3. The Needle & The Damage Done – Dave Matthews
4. Tell Me Why – Norah Jones
5. Cinnamon Girl – Dierks Bentley/Booker T. Jones
6. Harvest Moon – Josh Groban
7. Ohio – Ben Harper
8. Don’t Let It Bring You Down – Jackson Browne
9. Broken Arrow – Wilco
10. Lotta Love – Jason Mraz/Shawn Colvin
11. (When You’re On) The Losing End – Elvis Costello
12. Heart Of Gold – James Taylor
13. Down By The River – John Mellencamp/T Bone Burnett
14. Human Highway – Crosby, Stills & Nash
15. Helpless – Elton John/Leon Russell/Neko Case/Sheryl Crow

BONUS PERFORMANCES:

16. Mr. Soul – Ozomatli
17. Revolution Blues – Everest


Neil Young
2010 MusiCares Person Of The Year Tribute
Los Angeles Convention Center, January 29, 2010

Pre-order MusicCares Tribute to Neil Young on Amazon.com. Proceeds from the sales of the DVD/Blu-ray will go to MusiCares, which gives musicians in need of financial and medical assistance. (Just a reminder, purchases thru Amazon help support Thrasher's Wheat. Thank you!)





YouTube - Wilco live "Broken Arrow" (Neil Young cover) Feb 9, 2010 Schnitzer Hall, Portland, OR

Also, see Neil Young News: Neil Young Honored As MusiCares Person Of The Year.

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Concert Reviews of Neil Young: Hippodrome, Baltimore, MD, April 27 & 28, 2011

Neil Young - "Walk With Me"
Hippodrome, Baltimore, MD, April 27, 2011
Photo by Thrashette

From Midnight Sun: Take Two: Neil Young at the Hippodrome Theater April 27 - Nightlife: Baltimore’s music, bars, clubs, events and night scene from Erik Maza - baltimoresun.com by Nick Madigan:

Neil Young is determined to prove he can do it alone.

Calmly strolling the stage of Baltimore's Hippodrome as though it were his living room, taking his time to decide what to play next from his vast repertoire and an array of guitars and pianos -- even a pump organ -- Young seemed on Wednesday night to be living his performer's ideal, a musician unencumbered by other musicians, true only to his muse and the vagaries of spontaneous choice.

At 65 years old, and with a five-decade career still going strong, Young long ago earned the right to do whatever he likes. Sometimes, the results are uneven, even startlingly so.

For all his renown as a composer of gentle sensibilities, Young's rock-and-roll has the force of a Sherman tank, all guns firing.

But Young, always self-effacing and painstakingly honest, has never pandered to the desires of anyone, whether acolytes or recording executives, and retains a bemused tolerance for the excesses of the entertainment world and the pressures it brings to others.

Twitter / @Josh Charles

From Midnight Sun: Neil Young at the Hippodrome Theater April 27 - baltimoresun.com by Sam Sessa:

Few musicians have stayed as relevant as long as Young.

Even now, when many of his peers have settled into their umpteenth Greatest Hits tour, Young refuses to give people exactly what they want to hear. He'd rather give them what he wants them to hear. That was the case at the Hippodrome Wednesday night, where Young performed solo on acoustic and electric guitar.

Many audience members were expecting a hit parade or an all-request hour, shouting suggestions at Young, who brushed them off. While he did play a handful of his signature pieces, such as 'Ohio,' 'Helpless' and an excellent 'Cortez the Killer,' much of Young's set was music from his latest album, 'Le Noise' and other newer songs.

Young's dimly lit set, with its wooden Indian and hodgepodge of instruments, recalled a rustic saloon. Spotlights cast four rectangular panels on the dark curtain behind him, giving the impression of a church's stained glass windows at twilight.

Scroll down for reader comments on Midnight Sun: Neil Young at the Hippodrome Theater April 27 - baltimoresun.com.

Photo Gallery: Neil Young performing in Baltimore

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Neil Young will be performing tonight at Hippodrome, Baltimore, Maryland. Special guest Bert Jansch will open concert.

Got a report? Drop a comment below.

Check Sugar Mountain for setlist updates and Chronological Grid, Recording Summary, Statistics and Extras.

Also, see Neil Young's "Twisted Road" Concert Tour Reviews and the right, middle sidebar for continuous real time RSS feed updates.

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"Cortez the Killer": Neil Young @ Boston, Apr 20th 2011 on YouTube

Neil Young's "Cortez the Killer" in Boston Apr 20th 2011 on YouTube.

Also, see Concert Reviews and Photos of Neil Young - Boston, MA, April 19 & 20, 2011.

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Neil Young Concert Reviews: Avery Fisher Hall, New York City, NY, April 24 & 25, 2011

Neil Young
Avery Fisher Hall, New York City, NY, April 24, 2011
Photo by Norman Y. Lono

From Live: Neil Young And Bert Jansch Preside Over Avery Fischer Hall - New York Music - Sound of the City By Andy Beta:

Better than: Easter dinner with your two guitar-playing grandfathers.

Critical bias: My favorite Neil Young songs of late are about him wishing he could be a fish ('Will to Love') or wishing he was a robot (see Trans).

Overheard: At a lull between songs: 'Play whatever you want, old man!' (Though it could've also been: 'Play whatever you want.' 'Old Man!')

Random notebook dump: 'Helpless' was accompanied by the gentlest crowd singalong ever heard.

Photo by Brian Harkin

From Neil Young, Playing Solo, at Avery Fisher Hall - Review - NYTimes.com By BEN RATLIFF (who actually writes with true knowledge of guitar playing styles):

“I feel a rumblin’ in her ground,” Neil Young sang, alone onstage at Avery Fisher Hall, playing his Gretsch White Falcon, sounding the low notes of a strummed chord, muting them a little with the heel of his hand. The song was generally about planet earth but could have been specifically about where he stood. As he struck those low notes, the metal fixtures in the room talked back: the exit signs, the lighting plates and possibly the balcony railings all rattled like rivets in a cymbal.

And then the full effect. It wasn’t much to look at. He switched off between his usual instruments, the White Falcon and a black Gibson Les Paul, through two Fender deluxe amplifiers. Playing “Down by the River,” he flipped his guitar’s selector switch up and down between verses and choruses. Occasionally he hit a pedal to engage a slow and subtle phase effect. That was all, or at least all you could see.

The reverb — in the amplifiers, not in the room — took on an extraordinary quality, as if the implied space in the music became a little more real. The sound seemed giant-size but not painful: it didn’t fire at you, it enveloped you. Mr. Young’s shows generally suggest sophisticated thinking about frequencies and pain thresholds, but this was something else again.

Neil Young
Avery Fisher Hall, New York City, NY, April 24, 2011
Photo by Brian Clark

From Rock legend Neil Young played eclectic with NYC show, playing from new CD 'Le Noise,' old classics BY Jim Farber:

Guitar hero, acoustic balladeer, country bumpkin, grunge pioneer, electronic dabbler: Neil Young has played all these roles in his 45 year career. But at Avery Fisher Hall Sunday night - for the first of two sold-out shows - he melded two into something winningly rare.

Appearing alone, as he periodically does, Young roamed between acoustic and electric guitars, as well as piano, pipe organ, and harmonica. But the most interesting pieces found him mashing up two roles he usually keeps apart: solo performer and electric jammer. Some songs that Young might commonly have rendered as full-on band rave-ups with Crazy Horse, like 'Ohio' or 'Cortez The Killer,' he delivered with just a lone, purposely distorted electric guitar.

The cross-pollination mirrors the strategy of his latest CD, 'Le Noise,' an album he created with Daniel Lanois in the produce's home studio. That disc features wall to wall solo pieces doused with electro-feedback, making for an ironic mix of intimacy and amplification.

From Live Report: Neil Young At Lincoln Center by Carter Maness:

The crowd, split between the usual Lincoln Center blazer wearers and these sorts of original fans wearing frayed flannel or concert shirts from the '70s, was reverent throughout the night. It didn't hurt that the stage design reflected the music perfectly. Art deco lamps illuminated the pianos, while a cigar store indian's eyes reflected the venue's Rothko-esque backdrop as it slowly shifted during the set.

Musically, the progression from acoustic numbers to electric classics like 'Cinnamon Girl' and 'Cortez The Killer' was a bit surprising yet ultimately successful. Using a multi-amplifier approach like on Le Noise, Young's low notes boomed with great clarity and his highs were sonically sharp. His voice remains distinct and full. It's inspiring to watch a performer of Young's age and caliber still at the top of his game.

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Neil Young will be performing tonight at Avery Fisher Hall, New York City, New York. Special guest Bert Jansch will open concert.

Got a report? Drop a comment below.

Check Sugar Mountain for setlist updates and Chronological Grid, Recording Summary, Statistics and Extras.

Also, see Neil Young's "Twisted Road" Concert Tour Reviews and the right, middle sidebar for continuous real time RSS feed updates.

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Concert Review of the Moment: Neil Young - Providence Rhode Island, April 22, 2011

The Neil Young Concert Review of the Moment is from Providence Rhode Island, April 22, 2011 by the always delightful ShittyHorse:

Seeing Neil Young play live is always an extraordinary couple hours- always.

To have a true music and cultural legend be in the room, doing what he does best- performing his art for you. A Neil show is always an event, a real musical experience- never have I gotten the feeling- after 17 shows that it was simply being 'phoned in'. Knowing the setlist ahead of time, I figured I knew what to expect going in- but I was completely wrong! The songs are just the canvas to which Neil lays down the true creation that evening- the performance. I think we may, as an audience, get too hung up on songs in a strict sense. We want to hear this song or that song, while missing the overall feel and vibe of the evening.

I believe the key to the whole Twisted Road/Le Noise trip may be the nuance- the subtleties going on constantly. The lights on the four panels behind Neil changing colors at specific songs or specific lyrics- such as red when Neil sings 'what a Killlerr' on Cortez or the 'Earth Colors' changing and becoming distorted on Rumbling, the album itself with its small sonic touches of color, also the setlist, the stage setup and the choosing of instruments, etc. I believe many things are completely intentional and thought out as has sort of been Neil's trip going back to Tonight's the Night and Rust Never Sleeps. Small touches, that may have little or a lot of meaning, that when taken all together make for huge artistic expression and experience.

Having seen the Twisted Road on its first leg, about four or five shows in (Wallingford CT) I must say that tonight's show was much more Rockin' and in your face compared to the first, which in comparison seemed much more dark, and slightly mysterious- spooky, which was why I originally liked it to the closest thing to Tonight's the Night. In Wallingford that night, Neil seemed to be exorcising some real demons. In Providence, Neil seemed much more confident in this material and delivered it well. The album has been released, the songs were now aged a bit and road tested with, again, subtle changes throughout.

Neil enters the stage very nonchalantly, without the entrance songs or darkened lights, etc. just steps out- which I love. The audience gave him the welcome he deserves- an eruption of a roaring ovation that went on for a few minutes. Neil sits and strums the opening riff of Hey Hey, My My- the riff that first turned my head around and caught my ears when I put on RNS just by chance because I liked the cover, thus beginning my long road of being a Neil fan. Tonight's rendition was excellent and moving. Tell Me Why and Helpless were both very well done. As a huge fan I was looking forward to the Le Noise material slightly more than the hits and of course Neil doesn't disappoint. You Never Call, this time around seemed much starker and more moving than the first time- (this time he included all the lyrics). The Hitchhiker was PHENOMINAL- he shook that ornate little theater! I love that bass petal he uses- he steps on that thing and the bass literally blasts you in the face and shakes your seat- very disorienting, but in a good way. When Neil just stops cold for one second after 'we had a kid and we split apart' it's breathtaking.

Other highlights were Ohio, Down by the River- on which Neil jammed just slightly more between verses this time out. Leia, I found really poignant perhaps because I have a 15 month old daughter, were that not the case I think I'd still like it as the sort of little ditty that Neil has done throughout his career (Till the Morning Comes, Cripple Creek Ferry). Also an excellent Sign of Love and I Believe in You (a little less echo or reverb on his voice this time out I think). Cinnamon Girl was great, but that's the one song he does I feel doesn't work well solo electric- it just needs that stomp! But then he came back Walk with Me and he hit it right out of the park- more feedback, more passion this time- the meaning, it seemed was not lost on this audience. He left the stage ringing and it was over too quickly.

A great show!

My only complaint is that the seats in the theater were TIGHT! Possibly worse than MSG? Really packed in and it got hot in there. Also the greatest hits crowd are somewhat annoying- but that's the fanatic in me I suppose. Someone was yelling out some really obscure tunes like 'Pressure'- which was funny. I bought a beautiful show program filled with excellent photos and drawings done by Eric Johnson.

Bert Jansch was awesome! What a player! Just be quiet and listen- you'll be amazed at this huge talent!

If you are seeing a show on this tour, go with an open mind and pay attention! I'm really glad Neil decided to go out on the Twisted Road again and look forward to the next thing- whatever it may be.

Thanks Neil.

Thanks SH! Excellent, my friend, as always.

Also, see Neil Young's "Twisted Road" Concert Tour Reviews.

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"HitchHiker": Landmark Theater, Richmond, VA, April 17, 2011

The epic "HitchHiker" by Neil Young at Landmark Theater, Richmond, Virginia on April 17, 2011.

Over 6 minutes long, great audio, up close, Neil Rocks on the electric guitar. Previously unreleased '80's song off of the new Le Noise CD.

Also, see Neil Young's "Twisted Road" Concert Tour Reviews.

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Neil Young Concert Reviews: Providence Rhode Island, April 22, 2011

Photo by Tony DeCoste

From Neil Young spans career at PPAC - Projo Arts Blog BY RICK MASSIMO:

PROVIDENCE -- It could be so easy to be Neil Young: Stroll out, take a bow, a little 'Southern Man' here, a little 'Ohio' there, 'Cinnamon Girl,' 'Like a Hurricane,' 'Heart of Gold,' 'Rockin' In the Free World,' thank you, good night.

But with that kind of nostalgia trip, Young wouldn't still be packing the Providence Performing Arts Center at age 65 like he did on Friday night. His latest record, 'Le Noise,' was a revved-up, raucous piece of work (even though it was a solo disc) and while Young busted out a few of his best-known songs -- including some of the ones listed above -- he took plenty from the new disc and a few unreleased songs even newer than that.

Prowling a stage filled with instruments like a professor in mid-lecture, Young went from truly acoustic guitar to heavily amplified acoustic guitar to electric guitar to piano to organ in the course of the show. The set list was basically the same as most shows on his current tour, and Young started with 'My My Hey Hey (Out of the Blue),' his baleful voice and harmonica complementing each other strongly, the sweet and soothing 'Tell Me Why' and a 'Helpless' that re-created the stillness the lyrics describe.

Full review from Neil Young spans career at PPAC - Projo Arts Blog. (Thanks Mike!)

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Neil Young will be performing tonight at Providence Performing Arts Center, Providence, Rhode Island. Special guest Bert Jansch will open concert.

Got a report? Drop a comment below.

Check Sugar Mountain for setlist updates and Chronological Grid, Recording Summary, Statistics and Extras.

Also, see Neil Young's "Twisted Road" Concert Tour Reviews and the right, middle sidebar for continuous real time RSS feed updates.

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"He Has Presence": Neil Young Concert Reviews of the Moment -- Boston MA, April 19 & 20, 2011

Neil Young
Boston, MA - April 20, 2011
Photo by Steve Babineau/Sports Action Photography

"He has presence" said the son to the father after the Neil Young concert in Boston, MA, April 19 & 20, 2011.

Here is a rather remarkable story of concert memories of Neil Young in Boston, MA, April 19 & 20, 2011 by the always insightful Mr. Henry.

If you ever want to let someone know what it's like to feel a Neil concert, hand them this review.

Return of the King: Part One

Rusted wire and tilted posts more a symbol of restraint than a fence per se.
--David Foster Wallace from The Pale King

I've thought about it too much to talk; I'm going to do something about it.
--James Stewart in The Man from Laramie

Another stop on the Twisted Road...but not just another stop. Two shows in Boston: same exact set, completely different music. Tuesday night Neil seemed kind of playful and funny ("I think they call it the Kelloggs Corn Flakes Music Hall now...."). Wednesday night a bit more serious and direct, all about the music ("Welcome to The Music Hall"). Both nights performing his own unique tightrope walk, connecting the past to the present and the present to the past. Both nights incredible and unique.

No need to overstate the obvious points...but I will anyway. He's playing the same focused group of songs every night for a reason; he's giving you some hints but it only really counts if you get the answer yourself. Neil has "faith in you" and knows you're up to the task. The emphasis is on the new songs, but not all of them; not necessarily because they're on the new album and maybe not even on the album at all. He's performing a recital and working his magic within a formal construct of his own pure creation. You've heard of "Classic Rock"? Well this is much better -- it's "Classical Rock" where the structure and the flow are in total harmony, where each variation within the structure is an inseparable part of the flow of life.

Past concerts were like the ocean. Sometimes there would be endless beautiful waves that would come curling in on a sun drenched summer's day. Sometimes there were violent crashing waves that pounded mercilessly like a winter Noreaster, washing the beach clean and changing everything around. These concerts are more like a mighty river moving steadily throughout the land. Like the river, you can't separate the flowing water from the banks that barely contain the force and beauty.

Bert Jansch was superb both nights. I believe I used the phrase "quietly amazing" or something like that before to describe what he does -- he is completely one-of-a-kind. I don't think we'll ever again have someone in this world who combines technique, artistry and soul in quite this way. I had great seats for the first night (Orchestra row M almost dead center...perfect acoustics!) and very good ones for night two (Mezzanine row D again in the center). Bert's songs and playing were just so beautiful, and I had chills as he would visit the timeless well of his music. I never thought that I'd be fortunate and privileged enough to hear Bert play once in my lifetime...now I've heard him on four separate occasions! Thank you so much, Bert...the most humble superstar that I'll ever see and hear perform.

Neil Young
Boston, MA - April 20, 2011
Photo by Steve Babineau/Sports Action Photography

Return of the King: Part Two

A wise man was telling stories to me
About the places he had been to
And the things that he had seen
--David Hidalgo & Louie Perez...One Time One Night

Neil came out unannounced both nights. It seems that he totally appreciates the crowd and the love that is directed toward him, happy and thankful to just be there doing what he does best. The set structure is in five groups, each one with three songs that tell a story separately and together, along with a bridge song connecting and reinforcing the segments and an encore that combines them all together in a final farewell and hope-to-see-you-soon moment of sorrow and joy.

Out of the Blue, Tell Me Why and Helpless deal with the great sadness and mystery of life. Trying to make sense of what can often seem senseless. Keeping your candle burning bright even when it would be easier to just give up. Neil played magnificent versions on both nights, and he had the crowd completely, especially on night two when I saw lots of hugging going on during this portion. I especially loved Tell Me Why...how can this simple song be so complex and moving? I've heard this for over forty years now (along with many of you out there) and it always seems like it's the first time.

You Never Call, Peaceful Valley Boulevard and Love and War are like siblings to the first three songs, visiting the same thoughts and feelings after many years of the beauty and wonder of living in this world. My favorite on both nights was Neil's performance of You Never Call...the depth and emotion he brings forward is just incredible to watch and be a part of. Same for the other two songs and the guitar playing is sublime. Love and War especially seems different each time that I hear it...might not be "his best song ever" as I stated in my Hanover Theatre review last year, but who knows and who cares -- just amazing stuff!

Down By the River, Hitchhiker and Ohio brought everyone back home, with Neil exploring the twists and turns of his music and art. DBTR was direct on the first night, with more variations and exploring on night two. Each time I hear this live is a different experience; it's like the litmus test for Neil's performance and can be three minutes long or thirty three minutes, whatever is best for that performance. Hitchhiker is always amazing and was the biggest change from night one to night two: a glorious fuckup Tuesday night and then totally nailed and "perfect" the next night. Ohio was also near perfect both nights as Neil poured his heart out once again and then again.

Sign of Love is the bridge portion, where Neil takes a rest and a deep breath to think about all of the best things in life. It sounds old and new at the same time, with echoes of Cinnamon Girl all grown up. Neil's chamber music for the 21st century.

Neil Young
Boston, MA - April 20, 2011
Photo by Steve Babineau/Sports Action Photography

Return of the King: Part Three

I felt the rain as it
Poured from the skies
And it washed away my anger
Took the sadness from my eyes
--Tobin Sprout...Cleansing from the Storm

Leia was the biggest and happiest surprise of both nights. It's like Neil's version of a Haiku, with incredible insight and emotion contained within a very tight construction. Of all the songs, it's the one that says the most by saying the least and it's the bridge between the two thematic segments of Neil's recital. The crowd loved it...again especially on night two -- all the more amazing since it's never been recorded. And Neil seemed to be having a great time playing it "for all the little people...and also for Grandpa; I know you're out there". After The Gold Rush never sounded better and there was lots more hugging going on all around. Nothing in the world sounds quite like that organ! And then I Believe In You with it's simple and profound affirmation of faith and love, no matter what happens.

Rumblin', Cortez the Killer and Cinnamon Girl brought the show to a tremendous peak and left almost everyone satisfied. After playing Ohio on the Falcon, it's so great to hear Rumblin' as the seats literally were shaking and then see Neil shift back to Old Black for Cortez. Versions were different but equally killer (sorry!) both nights; thinking about the J. Mascis version at the Carnegie Tribute and wondering what it would be like to hear Neil and J do this one sometime as a duo! Then Cinnamon Girl closed the show, with an especially cool solo on night two as Neil took the "one note solo" thing to even greater heights.

Walk with Me summed up everything that came before. Sadness but no regrets...well at least not a lot. Moving ever forward but taking some time to look back. Joining what's happened and what is yet to come. And celebrating the mystery and understanding of life and living every moment. Be yourself and be together.

So another couple of great performances from Neil. When I reviewed the Hanover show, I stated that it might have been the best Neil concert that I had ever seen. Maybe it still is; maybe I just tuned in at the right time and in the right mood. Tuesday night was probably "better" in some ways and Wednesday night maybe was "better" in other ways. That's why this is so cool and one-of-a-kind right now. You can see one performance and it will stand on its own; you can see multiple shows and appreciate the differences and the constants.

Return of the King: Part Four

It's funny. Don't ever tell anybody anything. If you do, you start missing everybody.
--J. D. Salinger from The Catcher In The Rye

Tuesday night I went with my wife and she loved it. She's seen Neil many times and did say afterwards "well I would have liked a bit more of the old songs". So I completely understand and empathize with those fans who were disappointed by the song selection. At the parking garage elevator, a couple nice women said sheepishly "I liked the acoustic songs the best" and that is completely alright. We all have our preferences and it's fine to not just soak it all in, hoping for your favorites to be played. My feeling is that Neil will come back at some point and do just that...he's just not into that right now. He really does love his fans but he wouldn't be Neil without taking chances and going where he needs to go.

Wednesday night I went with my son and he also really loved it. This was his third time seeing Neil and he thought that both performers were just fabulous. I was especially happy and proud of how much he loved Bert Jansch. There were many, many of the young folks in the crowd and they all seemed to be having an incredible time. One man said to me "my thirteen year old daughter is now a huge fan". I overheard a guy saying to his friend in wonder "How can someone that old play and perform like that" and "Who will we be listening to when we're 50 years old?".

Afterwards talking with my son, I said that I truly believe we're in a golden age of music right now, with more diverse types and more great performers playing than maybe at any other time in history. He said he totally agrees and then went on to say that "Neil has such a presence", boiling down all of my thoughts into five words. I told him how many of the songs were ones that I've listened to over forty years now, and that I hope he'll be listening to them for even longer than that.

Last week I saw two more shows that support my "golden age of music" beliefs. Thursday night was a reunion show for the band Come; Friday night was a piano recital by the legendary Ms. Dubravka Tomsic. You couldn't get two shows much more different and yet both were completely right, so just give the music a chance and almost anything is possible. Sometimes you get exactly what you need when you need it.

Monday morning I was driving through the center of my town when I stopped at a Stop sign before proceeding. Realizing that the woman to my right had completely run her sign while talking on the phone, I jammed on the brakes and cut the wheel sharply left. The other driver saw me just in time and also braked sharply...we missed colliding by maybe an inch or so. I had Lucinda Williams' new CD playing and heard her sing "We were blessed" just as I realized there was no impact.

After both the Tuesday and Wednesday shows, the first song to play was a lovely version of Greensleeves played on acoustic guitar. My daughter grew up playing Classical Guitar, and this was the piece that she played for my dad at his memorial service on Veterans Day, just before the Army bugler played Taps. Thank you so much!

"It eluded us then, but that's no matter -- tomorrow we will run faster, stretch out our arms farther...."
...F. Scott Fitzgerald from The Great Gatsby

As always, thank you for sharing Mr. Henry. Your ability to tie other artists and literature into Neil's music is without compare. Thank you my friend.

Thanks Steve "Babs" for the shots. Most awesome!



More reviews of Neil Young in Boston, MA, April 19 & 20, 2011.

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Concert Reviews of Neil Young - Boston, MA, April 19 & 20, 2011

Neil Young 4/20/11
Wang Theatre, Boston, Massachusetts
Photo by Rich Gastwirt - www.stageshooter.com

From Alone on stage, ageless Young keeps on rocking - The Boston Globe by James Reed:

One of the great pleasures of experiencing Neil Young live is the fact that he’s still a wild card, still hungry to forge ahead. No matter how well you know his songs, it’s never clear how Young, at a restless 65, will interpret them on stage the night you’re hearing him.

Neil Young 4/20/11
Wang Theatre, Boston, Massachusetts
Photo by Rich Gastwirt - www.stageshooter.com

Wang Theatre, Boston, Massachusetts
Photo by Protest Photos 1 | Flickr

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Neil Young will be performing tonight at Wang Theatre, Boston, Massachusetts. Special guest Bert Jansch will open concert.

Got a report? Drop a comment below.

Check Sugar Mountain for setlist updates and Chronological Grid, Recording Summary, Statistics and Extras.

Also, see Neil Young's "Twisted Road" Concert Tour Reviews and the right, middle sidebar for continuous real time RSS feed updates.

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Concert Review of the Moment: Neil Young - Richmond, VA, April 17, 2011

Neil Young
Durham Performing Arts Center
Photo by ROBERT WILLETT - NewsObserver.com

The Concert Review of the Moment is from Neil Young in Richmond, Virginia on April 17, 2011 by Brenna. Brenna is responding to the review in the Richmond Times-Dispatch "Neil Young concert could have used more old, less new" by BILL CRAIG.

It ought not be surprising to either this critic or the one who reviewed the opening show in N.C., that Mr. Young has chosen to support his most recent work. I'm always left scratching my head when reading a review that criticizes a musician for performing pieces from their latest effort.

The sell out crowd for the opening show at the Durham Performing Arts Center was incredibly enthusiastic with every tune and for that matter, every note. Young is one of the few artist who's truly ripened with age as his playing and singing have not diminished in the least. Neither this review nor the one for The News and Observer elaborated on Young's playing or vocals but rather chose to discuss other "essentials" like his fedora and stage "sauntering."

For those of us for whom the music matters, we watched and listened to a man who survived polio as a child, an adult lifetime of epileptic seizures, tragedy beyond measure in his personal life with the devastating illnesses of two children and a brain aneurysm that should have killed him just a few years ago, give of his time to share his art with those who still want to hear it. Neil Young doesn't have to do this anymore. He's given "at the office" for almost five decades.

This commentary should have, at the very least, reflected some appreciation for what Mr. Young is still able and more importantly, wanting to give us.

Neil Young doesn't require a "review" from a newspaper writer following a performance in Richmond. A simple re-cap of the songs he chose to play for his fans would more than suffice. Of course, Mr. Craig obviously decided it's his "job" - or perhaps "privilege" - to offer a critique of Neil's musical offerings tonight. Sadly, he is sorely lacking the musical, historical, and perhaps generational experience to fill the shoes of one capable of doing something along those lines.

Brenna

More on Neil Young in concert in Richmond, Virginia on April 17, 2011.

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1 Year Anniversary of Gigs For The Gulf Tomorrow

JOIN/SHARE/LIKE on Facebook
Gigs For The Gulf


Tomorrow marks the 1 year anniversary of the Gulf of Mexico oil gusher disaster/holocaust.

4/20 will always be remembered as the 9/11 of the Gulf.

Over the past year, we here at Thrasher's Wheat have been trying to connect musicians with the cause of supporting those impacted by the devastating impacts of oil in the water. We've worked with coordinating nearly 100 music concerts during this time raising thousands and thousands of dollars for groups helping the People, Wildlife & the Environment of the Gulf region.

Tomorrow, around the world will be GUITARS FOR THE GULF/SOLUTION TO POLLUTION CONCERT | THE SOLUTION TO POLLUTION IS THE PEOPLE. We urge everyone to try and make a difference.



Thanks to Jeff Taylor of Neil Young Tribute for G4G logo design!

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Neil Young Supports Vinyl & Independent Record Stores

Neil Young Vinyl Shopping - April 16, 2011
Plan9 Music, Richmond, Virginia
Photo by Emaleigh Franzak

Neil Young showed his support of Vinyl & Independent Record Stores last Saturday, which was International Record Day.

Young was in town for a concert at the Landmark Theater when his crew decided to do some vinyl shopping. Emaleigh Franzak, Asst. Manager of Plan9 Music, Richmond, Virginia wrote us to say:

I took the photo posted on the Plan 9 Facebook page. It was a really fun day, and that was an excellent surprise.

The best/worst part was that we were actually playing "Le Noise" when he walked in the door. I just about melted for a few seconds.

There was nothing we could do but keep listening, of course! He shopped for a bit...was very reserved, but polite and friendly!

Neil bought Its a Beautiful Day record. (Incidentally, this is a very classic album and if you read the linked review it'll make you want to dig out your copy... or find a used copy.)

Very nice!

There has been a rather huge reaction in the Vinyl & Independent Record Stores community around the world. The Record Store Day Facebook page has 100's of Likes and Comments on the sighting.

We're not entirely clear on this, but there were some reports that Neil had a pressing of A Treasure which was played at the store also.

Neil Young, Tour Manager Eric Johnson, Manager Elliot Roberts
Plan9 Music, Richmond, Virginia
Photo by Emaleigh Franzak

Spin the black circle.

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Neil Young Concert Reviews - Richmond, VA, April 17, 2011

"Watching Neil Young play the guitar for Walk With Me encore was like watching Jackson Pollock paint. Perfect analogy."
Twitter / @Kira Siddall

In probably one of the most poorly researched concert reviews we've come across in awhile, the Richmond Times-Dispatch's "Neil Young concert could have used more old, less new" review by BILL CRAIG manages to hit all of the possible mis-understandings of Neil Young's music.

It seems that Richmond Times-Dispatch readers disagree with Bill Craig's review as well.

A sampling of reader comments...

Posted by Brenna on April 18, 2011 - 5:10 a.m.

It ought not be surprising to either this critic or the one who reviewed the opening show in N.C., that Mr. Young has chosen to support his most recent work. I'm always left scratching my head when reading a review that criticizes a musician for performing pieces from their latest effort.

The sell out crowd for the opening show at the Durham Performing Arts Center was incredibly enthusiastic with every tune and for that matter, every note. Young is one of the few artist who's truly ripened with age as his playing and singing have not diminished in the least. Neither this review nor the one for The News and Observer elaborated on Young's playing or vocals but rather chose to discuss other "essentials" like his fedora and stage "sauntering."

For those of us for whom the music matters, we watched and listened to a man who survived polio as a child, an adult lifetime of epileptic seizures, tragedy beyond measure in his personal life with the devastating illnesses of two children and a brain aneurysm that should have killed him just a few years ago, give of his time to share his art with those who still want to hear it. Neil Young doesn't have to do this anymore. He's given "at the office" for almost five decades.

This commentary should have, at the very least, reflected some appreciation for what Mr. Young is still able and more importantly, wanting to give us.

Neil Young doesn't require a "review" from a newspaper writer following a performance in Richmond. A simple re-cap of the songs he chose to play for his fans would more than suffice. Of course, Mr. Craig obviously decided it's his "job" - or perhaps "privilege" - to offer a critique of Neil's musical offerings tonight. Sadly, he is sorely lacking the musical, historical, and perhaps generational experience to fill the shoes of one capable of doing something along those lines.
+4--2
Posted by Reason on April 18, 2011 - 3:03 a.m.

I will not impugn Mr Craig's opinion of the show but I will make two points-when reviewing an artist 's live work it helps if you have heard and like his current work-clearly he's at least looked up the song titles and it's obvious that like Neil's voice, he didn't like Le Noise either.

Secondly, the mark of a true artist is that he/she doesn't copy what they've done in the past-they are constantly growing and changing their art. Miles Davis would be another good example of how, much like Neil, if you showed up expecting cake he would give you pie-his artistic integrity overshadows any pandering to commercial success. That this has been successful (ie a hall full of fans who've paid up to $200 to be there) is a testament to his unique genius. Put simply Neil Young doesn't sound like anyone else and for those those appreciate his view of the world, it's been a helluva good ride.

BTW he's touring with Stephen Stills and Ritchie Furay this summer as Buffalo Springfield-somehow I think Mr Craig would enjoy those almost 50 year old songs more than what he heard from Neil tonight. Too bad Mark Holmberg wasn't available to go instead.
+4--2
Posted by robp on April 18, 2011 - 2:11 a.m.

Mr. Craig seems to have attended a different concert than the thousands of fans who filled the Landmark Theatre Saturday night to see and hear one of Rock musics truest legends. Mr. Young at 65 years old showed no signs of aging in an exciting and varied 17 song set from throughout his illustrious career. Mr. Craig failed to mention that Young's latest CD Le Noise was not only on top of all of 2010's top musics lists, but one track from it won the 2010 Grammy Award for Best Solo Rock Vocal Performance. Stating that Young's voice was an acquired taste was not only condescending, but unnecessary, since the sold out audience who paid from $55-250 clearly were believers. The performance was well paced, exciting, and memorable and showed Young's range from folk to rock to grunge to experimental and more. Mr. Craig's review completely missed the subtly of Young's artistry and genius.
+4--2
Posted by curieux on April 18, 2011 - 1:33 a.m.

How old is this reviewer? Do you realize time does not stand still. Sitting around in your dorm room smoking the funny stuff and hoping that Cinnamon Girl is going to be your suite mate is passe. It is incredible in our time to see a Folk/Rock and Roller still relevant doing things on his own terms and not slagging while relying solely on his 30 year old standards to make a buck. Yea, it is great to hear a guy with a repertoire that has classics, and he played them well, but time moves on for any artist. Those who wallow in the past get left behind, and their work diminished to "best of" albums. (you probably to not know what an album is) Neil did it tonight on his terms as true artist do. And for your info, I am probably old enough to be your father, still rock, and like to move forward.

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Neil Young will be performing tonight at Landmark Theater, Richmond, Virginia. Special guest Bert Jansch will open concert.

Got a report? Drop a comment below.

Check Sugar Mountain for setlist updates.

Also, see Neil Young's "Twisted Road" Concert Tour Reviews and the right, middle sidebar for continuous real time RSS feed updates.

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Tour Opens Tonight! - Neil Young Concert Reviews - Durham, NC, April 15, 2011

Neil Young
Durham Performing Arts Center
Photo by ROBERT WILLETT - NewsObserver.com

Setlist from Sugar Mountain: (Thanks Tom!)

01. My My, Hey Hey (Out Of The Blue) (acoustic guitar)
02. Tell Me Why (acoustic guitar)
03. Helpless (acoustic guitar)
04. You Never Call (acoustic guitar w/ pickup)
05. Peaceful Valley (acoustic guitar w/ pickup)
06. Love And War (acoustic guitar w/ pickup)
07. Down By The River (electric guitar - Old Black)
08. Hitchhiker (electric guitar - Old Black)
09. Ohio (electric guitar - white falcon)
10. Sign Of Love (electric guitar - white falcon)
11. Leia (piano)
12. After The Gold Rush (pump organ)
13. I Believe In You (piano)
14. Rumblin' (electric guitar - Old Black)
15. Cortez The Killer (electric guitar - Old Black)
16. Cinnamon Girl (electric guitar - Old Black)
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17. Walk With Me (electric guitar - white falcon)


Review from NewsObserver.com by David Menconi:

You just never know what you're going to get when Neil Young comes to town, because he has multiple guises to choose from. There's the folksy acoustic troubadour at one end, the noble-savage electric-guitar savant at the other, and numerous shades in between.

...

Between the apocalyptic tone of the minor-key guitar riff, Young's atmospheric harmonica and his haunting-as-ever cracked whine, "My My, Hey Hey" was particularly effective. But just as everyone was settling in, possibly hoping against hope for a greatest-hits set of nothing but the old classics, Young changed gears.

For the rest of the set, Young alternated between acoustic and electric guitar, two different flavors of piano (upright and baby grand) and even pump organ. Between songs, Young would wander about the stage, as if trying to decide which one he wanted to play next.

Full review at NewsObserver.com.

Neil Young
Durham Performing Arts Center
Photo by ROBERT WILLETT - NewsObserver.com

yfrog Photo Shared by danschram

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Twisted Road Solo Tour Opens Tonight!

Neil Young will be performing tonight at Durham PAC, Durham, North Carolina. Special guest Bert Jansch will open concert.

Got a report? Drop a comment below.

Check Sugar Mountain for setlist updates.

Also, see Neil Young's "Twisted Road" Concert Tour Reviews and the right, middle sidebar for continuous real time RSS feed updates.

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Musicares Neil Young Tribute Coming To BluRay/DVD

MusicCares Tribute to Neil Young [Blu-ray]
(Click to Zoom Cover)

On May 31, Shout! Factory will release A MusiCares Tribute to Neil Young.

The new DVD/Blu-ray disc captures the 2010 MusiCares gala honoring Young as Person of the Year, and features a stacked roster of artists, including Elvis Costello, Dave Matthews, Wilco, and Lady Antebellum paying tribute to the music legend. Young was honored for his body of work, as well as his philanthropic efforts over the years.

Proceeds from the sales of the DVD/Blu-ray will go to MusiCares, which gives musicians in need financial and medical assistance.


Musicians Dave Matthews, guest, Jason Mraz, Emmylou Harris, Elvis Costello, Shawn Colvin and James Taylor onstage at the 2010 MusiCares Person Of The Year Tribute To Neil Young at the Los Angeles Convention Center on January 29, 2010 in Los Angeles, California

A MusiCares Tribute to Neil Young Program Listing:

1. Rockin’ In The Free World – Keith Urban/John Fogerty/Booker T. Jones
2. Only Love Can Break Your Heart – Lady Antebellum
3. The Needle & The Damage Done – Dave Matthews
4. Tell Me Why – Norah Jones
5. Cinnamon Girl – Dierks Bentley/Booker T. Jones
6. Harvest Moon – Josh Groban
7. Ohio – Ben Harper
8. Don’t Let It Bring You Down – Jackson Browne
9. Broken Arrow – Wilco
10. Lotta Love – Jason Mraz/Shawn Colvin
11. (When You’re On) The Losing End – Elvis Costello
12. Heart Of Gold – James Taylor
13. Down By The River – John Mellencamp/T Bone Burnett
14. Human Highway – Crosby, Stills & Nash
15. Helpless – Elton John/Leon Russell/Neko Case/Sheryl Crow

BONUS PERFORMANCES:

16. Mr. Soul – Ozomatli
17. Revolution Blues – Everest


Neil Young
2010 MusiCares Person Of The Year Tribute
Los Angeles Convention Center, January 29, 2010

Pre-order MusicCares Tribute to Neil Young on Amazon.com. Proceeds from the sales of the DVD/Blu-ray will go to MusiCares, which gives musicians in need of financial and medical assistance. (Just a reminder, purchases thru Amazon help support Thrasher's Wheat. Thank you!)





YouTube - Wilco live "Broken Arrow" (Neil Young cover) Feb 9, 2010 Schnitzer Hall, Portland, OR

Also, see Neil Young News: Neil Young Honored As MusiCares Person Of The Year.

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JUST ANNOUNCED: Massey Hall, Toronto Neil Young Solo Dates

Just announced new dates for Neil Young's solo Spring tour:

05/10 Toronto, Canada - Massey Hall
05/11 Toronto, Canada - Massey Hall

From Toronto Sun:

The Massey Hall concerts are also scheduled to be captured on film by director Jonathan Demme, as the final installment in a concert film trilogy, joining 2006’s Neil Young: Heart of Gold and 2008’s Neil Young Trunk Show.

Pre-$ales info can be found in the usual location.

Don't be denied!

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They Said Crazy Horse... I Said Solo

"I said solo...they said acoustic" T-Shirt

The official concert t-shirt for Neil Young's 2010 concert tour said: "I said solo...they said acoustic".

In terms of shattering audience expectations right up front, Neil's Twisted Road Tour with both soft folky acoustic classic tunes and howling Ol' Black electric feedback caught many fans off guard.

"I said solo...they said acoustic"
Neil Young - Worcester, MA, May 21, 2010
Photo by Steve Babineau/Sports Action Images

After the triumphant reunion of The Buffalo Springfield at the 2010 Bridge School Benefit Concerts, rumors swirled about a possible Buffalo Springfield Reunion Tour.

Fans React to News of David Crosby "confirming" Buffalo Springfield Reunion Tour

In January, we conducted a poll on 2011 Tour with either Buffalo Springfield or Crazy Horse?



The poll results were overwhelming in favor of a Crazy Horse tour -- 69% to 31%.


Crazy Horse
Ralph Molina, Billy Talbot & Frank Sampedro
MusiCares Honors Neil Young - Los Angeles, CA - 1/29/10
Photo by Joni Milken-Noah

Now, what this meant -- in the perverse Neil universe -- is that we would get a Buffalo Springfield tour because -- as we all know -- Neil Young never, ever listens to his fan base.

Except that Neil went and announced a Spring solo tour first.

To be followed by Buffalo Springfield Tour dates in the late Spring.


The Buffalo Springfield, v. 2010
Joe Vitale, Stephen Stills, Richie Furay, Neil Young and Rick Rosas
Photo by Eleanor Stills (via Rick Rosas | Facebook)

Also, see A Look Back Down Neil Young's Very Twisted Road.

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Tom Waits and Neil Young: "Get Behind The Mule" at 2010 Rock and Roll Hall of Fame

Last month, Tom Waits was inducted into the Rock and Roll Hall of Fame by Neil Young.

During the post-ceremony jam, Tom Waits and Neil Young performed "Get Behind The Mule".

Inductee Tom Waits and Neil Young perform onstage at the 26th annual Rock and Roll Hall of Fame Induction Ceremony at The Waldorf-Astoria on March 14, 2011 in New York City
Photo: Michael Loccisano/Getty Images

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Winner of Contest for Neil Young Tickets

Thanks to a very, very generous Thrashers Wheat reader, we are pleased to be able to offer a pair of tickets to see Neil Young in concert at the Wang Center, Boston, April 19.

We had over 50 Neil stories submitted and had a tough time narrowing it down to a final round of stories. After much thoughtful decision, the donor has made a selection of a runner-up and winner. (Here is the Runner-up Winner of Contest for Neil Young Tickets.)

Here is the ticket winning Neil Young story:

Neil Young's music reminds me of my childhood, especially spending time with my Dad.

It's strange how we remember certain moments from when we were younger, especially when they aren't moments of extreme elation or disappointment. When I hear Neil Young's music, I remember a regular, weekend day during the winter of 1993, shortly after Harvest Moon was released. My Dad was working on some drawings at his drafting desk and I, a hardcore daddy's-girl first grader, was sitting next to him drawing on graph paper, imagining I was "getting my work done" too. Harvest Moon was playing in the cassette player of the stereo.

I still think of this day when I hear his music, but I also remember a more recent period.

The day before this past Thanksgiving, my Dad was hospitalized after falling off of a ladder while he was at work. The fall caused some major brain hemorrhaging and within minutes of entering the ER, he was taken in for a craniectomy to alleviate the pressure off of his brain and prevent any more damage. Three days after the accident, the doctors arranged a meeting with my Mom, two sisters and I. They told us that his temporal lobe was "destroyed" and since the temporal lobe is responsible for speech and vision, there was a pretty good chance that he wouldn't be able to communicate with the rest of the world.

He had also lost movement in his right side--preventing him from walking-- along with a laundry list of other injuries. The doctors said that we should talk to him even though he wasn't responsive and that we should play music in his room. Everyday in the ICU we'd play some of his favorite CDs, Neil Young amongst them, while sitting with him, holding his hand, talking to him and trying to calm him so he didn't need to be put in restraints. They were the most difficult days to get through; to sit there and see someone who was once so independent, talented and capable be completely helpless.

Forever ingrained into my memory is when i looked over at my Mom, who was holding his hand, fighting back tears and singing along "I want to see you dance again/Because I'm still in love with you/On this harvest moon."

Things have gotten a lot better with time and he has progressed far beyond the doctor's expectations. After four weeks in the intensive care unit and six weeks in rehab, he's back to living at home and involved in an intensive outpatient therapy program. He's walking, talking and if you saw him on the street, you might not be able to notice anything wrong. It's been difficult for him to adjust to the limitations put upon his post-accident life, particularly his loss of the ability to read and drive a car, losing a lot of independence and realizing that he won't be able to go back into construction, something he was very passionate about.

When I found out Neil Young was playing in Boston, I wanted to get tickets for my Mom and Dad. They hardly get out of the house except for doctor's appointments and I know that with losing the larger of the two incomes, going to a concert isn't in their budget. I went to the Wang's ticket site and was disappointed to see how expensive even back balcony seats were and unfortunately out of my budget as well.

I happened to stumble upon the giveaway today and thus, have written this very Oprah-ish story.

Thanks for reading,

Quincey
Somerville, MA

Thank you Quincey! Your Neil story was truly moving. Enjoy the concert. Maybe you'll get a Harvest Moon?!

And thanks again to all of the other contest entries. There are a lot of amazing Neil stories out there, many of which moved us to tears.

Thanks again to our generous ticket donor.

It's really a joy to be a part of the Neil community.

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