IN THE STUDIO: Neil Young and The Chrome Hearts Recording New Album
(Click photo to enlarge)
Labels: album, concert, neil young, studio, tour
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An unofficial news blog for Neil Young fans from Thrasher's Wheat with concert and album updates, reviews, analysis, and other Rock & Roll ramblings. Separating the wheat from the chaff since 1996.
Labels: album, concert, neil young, studio, tour
"No review’s going to do this justice, so let’s just get this out the way. Neil Young was just phenomenal.
Michael Eavis has tried and failed four times previously to get Neil Young to play at his little party down on Worthy Farm dating right back to the days when local stores would put ‘No Hippies Allowed’ on their windows.
Why Old Farmer Eavis has been so determined to book him is apparent from the moment Neil Young hits the stage. There’s no farting about, his trusty scarred Gibson Les Paul, Old Black, comes straight out and he clangs straight into My My Hey Hey. Seldom has the lyric “better to burn out than fade away” been more pertinent than the day after the death of a King. But also because at this festival of legends there are some here who have faded beyond repair. What this set proved more than anything is that Neil Young isn’t among their number."
Labels: concert, neil young, reviews, stream
It appears that a Neil Young & The Chrome Hearts Europe Summer 2025 concert tour is in the works.
Per a "Message From Neil" posted on Neil Young Archives - Nov. 15, 2024, a tour plan that has already been submitted will be revised again. Instead of touring indoor halls and theaters, Neil Young only wants to perform in open-air arenas. (Thanks RoadDawg Mike!)
"Indoor concerts could be too risky for health reasons and we don't want to have to cancel any concerts next summer for health reasons."
Neil Young first performed with the "Chrome Hearts" at Farm Aid in September and played two indoor concerts in the Capitol Theater in Port Chester, New York.
Additional Chrome Hearts concerts never were scheduled despite a tour announcement.
Neil Young only played two concerts with the "Chrome Hearts" in Port Chester, marking the "beginning of a new era". The band consists of Micah Nelson (guitar), Corey McCormick (bass), Anthony Logerfreo (drums) and Spooner Oldham (keyboards).
Labels: concert, neil young, tour
Everyone wants to live with a cinnamon girl so that they can be happy the rest of their life, right? Who wouldn't?
From The Last 20 Seconds of Neil Young's “Cinnamon Girl” | Recliner Notes:
There is one aspect of “Cinnamon Girl” that remains overlooked: the last 20 seconds.
“Cinnamon Girl” is powered by a riff that launched a thousand ships as countless bands and Young himself have adopted the same crunchy, guitar-based template. A heckler once yelled at Young that all of his songs sounded the same and Young famously responded: “It’s all one song.” There’s a strong argument that “Cinnamon Girl” is in fact that one song, serving as an urtext for grunge and indie rock for generations to come.
Young plays the song in a drop-D tuning, meaning that he starts with a guitar’s standard tuning and lowers the low and high E strings to D notes. Young had employed the tuning before on Buffalo Springfield’s “Mr. Soul,” but it is in “Cinnamon Girl” that he grasps the true power of this technique, providing Young with a low drone, whether heard or implied, that permeates the song with a deep intensity and weight.
The drone is heard plainly at the 2:37 mark of “Cinnamon Girl” as Young and Crazy Horse finish playing the central riff of the song one last time. Young holds the low D after the other guitar and bass fade out. The last 20 seconds of the recorded time of “Cinnamon Girl” acts as the coda of the song. In music theory, a coda is a concluding statement within a song or larger movement. It’s a wrap-up and usually serves as an addition or extension of the principle motif or arrangement of the piece. In this coda, Young plays a flurry of notes by hammering the strings on the fretboard of the guitar to produce the sound rather than using a pick. Over the course of these 20 seconds, he plays 11 different flurries, each a variation on a theme. It’s not the central riff of “Cinnamon Girl” anymore, but this new theme feels connected and even an enhancement on the song’s main riff. This outbreak of notes played by Young in the coda is tumultuous and frenzied and then suddenly finishes as Young lets the sustained drone of the low D ring out. As the drone continues towards its vanishing point, Young hits natural harmonics on the guitar twice just before the song ends, providing a twisted high complement to the drone.
With that, the music fades out, ending the coda and “Cinnamon Girl.”
Full post @ The Last 20 Seconds of Neil Young's “Cinnamon Girl” | Recliner Notes.
More on Is This The Story of "Cinnamon Girl"? The Story Behind Neil Young's Iconic Song Revisited
Labels: analysis, cinnamon girl, neil young, song
UPDATE: Neil says "THANKS!" for the wishes.
***
First off, Neil Young is 79 years young today, November 12. So Happy Birthday Neil!!!
As noted on Neil Young's 75th birthday, his outstanding moral character
can be demonstrated with his efforts for The Bridge School (USA) and Farm Aid (USA), as
just two examples.
In 2011, Neil Young was honored with the Allan Waters Humanitarian Award at Canada's Juno Awards.
The award honors a Canadian artist whose humanitarian contributions
have positively enhanced the social fabric of Canada and recognizes
Young's compassionate legacy behind events such as Farm Aid, Live 8,
and Bridge School Concerts.
As we have noted previously,
rarely -- if ever -- has a single artist supported so many causes, for
such a sustained period, raising considerable funds and awareness while
reaching out to millions and millions around the world. When reviewing a
listing of benefit concerts
that Neil Young has played over the years, one is struck by the sheer
diversity of causes he has supported over his 45+ year career.
One could contend that no other artist has made such an impact on causes
involving social justice -- or a better moral character. As we
documented in 2010, The Charitable Mr. Neil Young Keeps On Giving & Giving & Giving.
You get the idea. He's got a heart of gold.
So Happy Birthday Neil!
Long may you run. It's all just a magical ride. enjoy.
Also, check out Scotsman's 2023 posting on Neil's birthday @ Patreon.
Labels: birthday, neil young
Recently, we posted over to the ever-so irrepressible Scotsman's Patreon on Dynamite Tracks #18: Busting out of Jail regarding Neil Young's album Greendale and it's significance.
First, a comment by Ron on the above post:
I hope no-one will be offended if I say am trying hard, but I still don't get what it is they think is important about Greendale - sorry.
The lyrics tell a tale that is interesting, the characters are all relatable, but I don't see or hear anything revelatory or new - and I don't think I did when it was first released 20 years ago either. And I listened to it a lot when it first came out and remember having fun exploring the accompanying Greendale web site.
I can see that there are likely aspects of Neil's character and personality in a lot or maybe all of the characters, I can see that it touches on a lot of the problems of the world, but is there an important insight? Some important message?
Did we not already know then that there was corruption on the highest floor? That Mr Clean was dirty too? That the Government is all bought and paid for? That we need to save the planet?
There is the 'Be The Rain' call to action but hadn't people and organisations been saying similar for many years already? Greenpeace come to mind but I am sure there were many others.
Ok, very fair question Ron and thanks for conveniently asking in comments.
Which brings us to the Comment of the Moment by none other than Scotsman himself on Neil Young's "Quintessential" (thanks Dionys) album Greendale:
Thanks all for the lovely and perceptive comments.
I like people who enjoy Greendale because I get the sense we're on the same wavelength. We'd probably get on well in the real world should we meet up for a ginger beer, strong coffee, or pint of real ale.
And one of many reasons I like Greendale is because it's its own world.
Not all albums or tracks are like this. Alabama from Tuscaloosa, for instance, with no added context, is objectively an out-of-tune din. Subjectively, it's a dreadful performance. What elevates it to being perceived as a work of art is because we see it in the *context* of Neil Young's life and career in the golden 70s. It's part of the legend.
But with Greendale, although there is lots of Neil Young in it (perhaps more than any other album), all we need to appreciate it is to notice ourselves within this town he has created for us. Dionys and Dan Swan get to the heart of this, above.
Some will relate to Sun Green (seeking to break out and fulfil her potential), some to the artist Earl (trying to juggle the drive to create with the need to survive), some to Grandpa (on the Earth long enough to have seen a lot, done a lot, survived through a lot).
Many here, I think, will relate to all three. They will also relate to the grief of Carmichael's widow, and Jed, too: because like Jed, we've all made mistakes. (If we're lucky, they're the kind of beneficial mistakes that help us learn, and not the kind of mistakes that permanently derail us, or hurt anybody else.)
"Change comes slow in the country". And a big part of the success of this record is Neil is writing from his own experience of living in the middle of nowhere.
The clubs and bars in major cities might change every year — as might the political leaders. Parts of rural England, meanwhile, haven't changed in 200 years or more. The people haven't changed much, either.
The Sun Greens of the world often find peace (and the space to create and think and dream) in the countryside, but need to get out to the city to find inspiration, or to make an impact. Because that's where the change they seek to make is most likely to happen. (In the 21st century, the internet is it's own kind of city.)
So I agree with all you guys that Greendale touches on politics themes. But I don't see it as a political album, not *as such*, because the word "politics" for me brings to mind two things:
A) A sense of top-down power, sometimes rigged against those of us with a sense of ethics (on both sides of the political spectrum)
And:
B) a force that divides us into polarised groups lobbing spears at each other.
Grandpa, meanwhile, strikes me as the kind of guy who "doesn't trust any of the b*stards". The more time you spend on Earth, the more you seem unfold... And eventually, you tune it all out.
Sun Green, too, is the kind of the person who'd be out there making a positive ruckus regardless of who is in power.
Quite wonderfully, we're left with an album that retains it's relevance through the ages, no matter who's in power, no matter whether they represent us or not.
We can still go out and make a difference.
Greendale, I think, speaks most strongly to those who really believe in this. Lovers of this album want to get up and really make a positive contribution, and probably have done numerous times in their lives already. They are do-ers, not just talkers.
(The boss of this very website will certainly relate: he started the first Neil Young blog not in 2016 or 2022, like me, but in 1996 — ahead of just about everybody in the blogging world.)
I'll submit what some will interpret as a smug or deluded opinion, but I'd prefer it to be interpreted as just a bit cheeky:
Having a passion for Greendale says something very complimentary about us.
Scots.
So back to Ron's original question and Scots justifications on Greendale being "quintessential".
Not to repeat ourselves, but -- as many of our long time readers here at Thrasher's Wheat know -- we have long since declared: "The Inconvenient Truth of Greendale".
More on Sun Green in the "compelling", "controversial" and "audiences challenging" concert opera "Greendale" by Neil Young.
"This is Greendale" Brochure - Part #1
Tomorrow's Town - Today (1948)
Labels: #CrazyHorse4HOF, album, crazy horse, greendale, neil young, songs
From the irrepressible Scotsman on Dynamite Tracks #18: Busting out of Jail:
Bob Dylan said:
“Hearing Elvis for the first time was like busting out of jail.”Bob’s words ring true. And whether the jail-break is instigated by Elvis Presley or Bob himself, busting out of jail is one of my favourite themes for music... and art in general.
Some music is about wallowing in despair, a comfort food of sorts. I prefer tracks that provoke positive action.
Sun Green is the classic, probably definitive Neil Young song about busting out of jail. A dynamite track not just in its performance, but in its very conception.
On one level, Greendale as a whole is basically the “guidebook to Neil Young”: and Sun Green is the bit where everything reaches boiling point. Obstacles within are demolished, and the spirit reaches its potential. A journey to freedom.
On a more down-to-Earth level, Greendale is about a bunch of very normal people—and a few abnormal ones—living their lives. And because Neil created them all, he’s in all of them.
He’s the curmudgeonly, world-wise Grandpa, but he’s also the ever-youthful Sun Green.
Remember how in the Wizard of Oz the real characters from Dorothy’s life on the farm appear in Oz, but they’re not quite the same? Parallel, but not identical? Greendale is like that:
In the character of Jed, we see an echo of Danny Whitten. And the track Carmichael tells a vivid story of a grief and mourning that is essentially the 2003 version of Tonight’s the Night.
…not identical, but parallel.
Greendale is not a political album, thank God… nor is it an environmental one. (The excellent final song kicks open the door to an environmental avenue).
It’s an album about living. And of course, there’s a lot of death in it, too. Death adds tension to Greendale, inspiring the survivors to live their lives more fully.
Full post @ Scotsman on Dynamite Tracks #18: Busting out of Jail.
Neil Young & Sun Green
Radio City Music Hall, New York, March 18, 2004
Photo by thrashette
Labels: bob dylan, elvis presley, greendale, neil young, songs
Obviously, -- at least so we would like to think -- everyone votes their "Conscience", as Neil Young urged in 2020.
That is voting their conscience for "Freedom" and voting against "Tyranny".
Or, maybe not ... a terrifying realization. Or, even worse -- those who think they are voting for "Freedom" but -- in reality - they're mistakenly actually voting for "Tyranny". Quite a state of affairs, eh?
As usual, Neil Young has quite a bit to say about Presidents and politics.
Many of us were introduced to Mr. Young back in 1970 with the song "Ohio" and the lyrics:
"Tin soldiers and Nixon coming,
We're finally on our own.
This summer I hear the drumming
Four dead in Ohio."
CSNY's "Ohio" single with the United States Bill of Rights
Highlights the right to peacefully assemble
And Mr Young has not slowed down on the subject of Presidential politics since 1970.
In the 1980's, there were the infamous "Reagan interviews" where -- depending on one's perspective -- either Neil Young was a Ronald Reagan supporter, detractor or undetermined.
From Boston Globe's 1990 Neil Young interview:
Young's been in hot water with certain elements of the press for what's been perceived as his support of Ronald Reagan. Imagine, Neil Young -- the man who wrote that wonderful antiwar, anti-Nixon anthem "Ohio," a longterm environmentalist and activist . . . supporting the most right-wing of presidents.
The neo-Reaganite tag affixed to him during the mid-'80s, Young insists -- quite vehemently -- was taken out of context, blown out of proportion. ''The Reagan-supporting era," sighs Young. "I don't think there is one president that's come down the line that hasn't done something good somewhere." Young says a "sleazeball journalist" nailed Reagan and then forced Young to his defense.
"Some people put down all presidents no matter what," says Young, "like once you get to be president you're a . . . idiot. So if you say anything good about any of them, they think you're supporting everything they do."
In the late 1980's, Neil Young penned the song "Rockin' In The Free World" lyrics:
The lyrics are a direct reference to President George Bush's (#41)
campaign pledge to create a compassionate citizenry volunteering to help
cope with society's ills. The "thousand points of light" symbolize the
American citizen's spirit and a shining example of giving selflessly to
care for one another's neighbor and brother. Along with "a kinder,
gentler hand", Bush believed that each American could contribute to
helping make the United States -- and the world -- a better place to
live and work.
Jump to 2006 and "Living with War" and Neil Young's song "Let's Impeach The President".
In 2008, the song "Lookin' for a Leader" with lyrics:
"And maybe it's a woman
Or a black man after all"
Referencing Hillary Clinton and Barack Obama, the official music video was prefaced by: "Every American President has left an impact on his country and the World. This musical history lesson from Neil Young takes a look at the past, present and future of US leadership."
After all, we're still lookin' for a leader.
Which brings us to 2016 and Donald Trump & Neil Young...
And so began our long running coverage of these two men and their apparent love/hate relationship.
Neil Young's Open Letter To President Trump
Also, see:
In 2020, Neil Young was still "Lookin' for a Leader", because "The Times" were a changin'.
So. From the "tin soldiers and Nixon" in 1970 to "loving" the current Vice President in 2024, Neil has covered the spectrum -- both as a Canadian and a U.S. citizen.
Not that music can change the world or anything like that afterall.
Because one person's perspective on freedom of speech is another's right to dissent.
Sigh. We have all been here before. Sometimes you have to lose to know how to win ... maybe.
Lastly, we bring to you one of the most viral posts in Thrasher's Wheat history: George & John, Donald & Neil + Bob: Sooner or Later, It All Gets REAL ... As in Now.
This one has it all rolled into one ... if you dare. Why? Because the future proves the past.
Alchemy ... Past, Present, Future. We're all on a journey through the past while time fades away.
More on politics and music and The Politics of Music or the Music of Politics?
Regardless of the results of the 5th of November, remember empathy and try to focus on our common humanity rather than our often trivial differences. And remember peace, of course.
To be honest and transparent here, we're no longer just "Lookin' For A Leader", mainly because "We're The Ones We've Been Waiting For".
Labels: #AllTogether, #BeTheRain, #BigShift, #disCERNment, #HackTruth, #NoFear, #StayCalm, #WT1sWBW4, alchemy tour, bob dylan, donald trump, kennedy, neil young