A Question on Neil Young's Product "Quality"
(Click photo to enlarge)
"I regret to inform you that Neil Young has discovered an audio glitch on the cd and has therefore requested that we put an immediate halt to all shipments, and also issue an immediate recall on any stock that remains at retail."The latest episode comes after various past struggles with quality, such as the Rust Bucket DVD issue or BBC 1971 DVD reissue, But as The Flying Scotzman points out, is this really production and mastering issues or simply poor quality control allowing bad product to go to production?
Other fans have in turn pointed out that’s unfair, as not all these issues are equal. Why? Because while most were errors in quality control, others were deliberate creative decisions.
The Rust Bucket dvd re-think, for example, was a separate issue to some of the recent QC issues. The mix was not a mistake, as such, but an intended effect by Neil — and one with good thinking behind it.
(To clarify, the first Rust Bucket dvd featured an remastered version of John Hanlon’s flagship master mix for the CD version. The fairly aggressive remaster for the dvd involved John’s mix being made narrower, louder, and given a treble and bass boost. This was an attempt, perhaps only partially successful, to more thrillingly simulate the excitement of the authentic live sound. The second edition dvd restored John’s unedited mix.)
But despite being an intentional production choice, the first Rust Bucket does in hindsight feel like a pivotal project — a turning point of sorts:
It was around this time Niko Bolas took over from John Hanlon. (This is perhaps relevant, or perhaps merely coincidence. Niko has certainly done great work with Neil before, even if his preference for drums over guitars is perhaps less suited to Neil’s electric work than Briggs’ and Hanlon’s guitar-centric approach.)
As Scotsman concludes: "And is it asking too much to expect Neil’s record company to play a role in actually checking the product works as intended (and meets even a minimal-viable standard of quality) before putting it on sale?". No, not at all.
Quality issues aside, the concert film COASTAL was a joy to experience in theaters with friends and new acquaintances. So one can only hope this all resolves swiftly so that the wonderful soundtrack can be properly experienced and enjoyed.
Lastly, we can only add that Neil Young's product quantity has been staggering over the recent years. Definitely not an excuse, but it's not surprising when one declares "open the vaults" that there are faults.
To quote Neil himself: "Quality: Whether You Want It or Not".
Slamdance Festival 2012, Park City, Utah
Labels: archives, cd, film, neil young, nya, soundtrack, vinyl
2 Comments:
The quantity of music shared over the past 20 years from the vaults has indeed been staggering. But I maintain that these little glitches in quality control only illustrate how sorely missed Elliot Roberts is, and will be.
Consider me grateful for the somewhat fast and loose manner of these releases occurring, since the recalled vinyl has some delightful moments that were lost in replacement. Can anyone shed light on these references from Scotz’s blog? “From the mislabelled audio track on the Before and After blu-ray, to the bodged edits on Archives Vol III.” I’m not familiar with these issues but would love to dig into them too.
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