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An unofficial news blog for Neil Young fans from Thrasher's Wheat with concert and album updates, reviews, analysis, and other Rock & Roll ramblings. Separating the wheat from the chaff since 1996.
The genius of Neil Young is discipline and restraint.
With Neil, the whole package beginning with his songwriting, his vocals, and whatever instrument he chooses to express himself, is 'hardwired' directly to his soul. Although his vocal technique would no doubt make a professional trainers eye twitch, any attempt to polish it would surely be at the expense of that raw, honest, emotion-drenched expression of feelings that evokes similar emotions from the listener with an intensity far greater than most singers who merely recite lyrics.
With Rap Music as a possible exception, the success of a song isn't measured by how many words you can fit into a given verse. The same can be said as far as how many notes can one fit into a guitar solo. By Neil's own admission, he never claimed to be one who blistered the fretboard of a guitar. If anything, he's more likely to be known more for his 'one note solo' as heard in the classic stomper 'Cinnamon Girl'.
Once again, his ability to exercise restraint further proved his successful formula that 'less is more'. This same successful formula is not unique to his vocals and guitar playing but extends to his piano playing abilities as well as in his signature harmonica playing style. On whatever instrument he may choose to accompany a particular song, The method that is typical in the structure of the majority of Neil's records is restraint. Whatever it takes to compliment the song. No 'one' instrument should overwhelm, dominate, or become the focal point of the song.
And, just a reminder on the Nobel Peace Prize for Willie Nelson campaign for his work on sustainable agriculture, alternative fuels, and world peace initiatives.
A tribute to the music of Neil Young will be held at Carnegie Hall, New York City on February 10th, 2011. As we reported last year, tribute artists include: Patti Smith, The Roots, Cowboy Junkies, Bettye LaVette, & others.
Presented by Michael Dorf, entrepreneur and impresario, the tribute will feature 20 artists benefiting music & arts programs for underprivileged youth. Confirmed so far, include: Patti Smith, The Roots, Cowboy Junkies, Bettye LaVette, Aimee Mann, Shawn Colvin, Bebel Gilberto, Keller Williams, Joan Osborne, Mason Jennings, J Mascis, Pete Yorn, DeVotchKa, Joe Purdy and featuring Larry Cambell in the house band.
"Tonight's the Night to show your musical talents.
Do you Dance Dance Dance when you hear a Neil Young tune? Is Rockin' in the Free World not just a song, but your personal mantra? Do you believe that Rock and Roll is Here to Stay?
Want to see all your favorite Neil Young songs brought to life at one huge tribute event, and stick around for the after-party with some other very special VIP guests?
For the ultimate Neil Young fan who has spent years mastering Heart of Gold, this is your moment.
Create an original Neil Young Tribute video and upload your video to our YouTube Channel HERE of you performing/playing/interpreting an original Neil Young song.
We will assess all valid entries and the individual whose entry we decide is most creative and entertaining will win two VIP tickets to the Neil Young tribute concert at Carnegie Hall (www.neilyoungcarnegie.com) on February 10th, 2011 in New York City, and then party it up at the VIP after-party at City Winery in Soho (www.citywinery.com).
Then there’s this animated, synth pop version of “Cinnamon Girl” by LewTeller. But there are also some straight covers very well done, like this cover of “Sugar Mountain” sung by Randy Haddock, a Brooklyn singer near Sugar Mountain in North Carolina. And this cover of “Don’t Let You Down” by Quermann1 is almost eerie. Quermann1 is actually Olaf Lange, from Ruggen, Germany, a gardener in the cover band Forever Young.
The night before the Carnegie Hall benefit, Larry Campbell and his band will present The Music of Neil Young, Live Rehearsal show at New York’s City Winery. Campbell will work through a variety of Young’s songs with the help of several featured Carnegie Hall performers. City Winery owner Michael Dorf is the driving force behind The Music of Neil Young benefit show.
100% of the net proceeds from this event to benefit: Fixing Instruments for Kids in Schools, Church Street School for Music & Art, The Pinwheel Project, Music Unites, The American Symphony Orchestra and Young Audiences New York.
Elton John on the cover of the upcoming issue of Rolling Stone Magazine with some thoughts on "unforgettable moments" including first meeting with Bob Dylan and Neil Young.
Elton John: There’s nothing like when your heroes rubber-stamp what you’re doing. In 1970, Neil Young came to my apartment and played the whole After the Gold Rush album on my piano until three in the morning.
Just weeks ago, on New Years Day, we posted on Freedom in a New Year and traced the song "Rockin' In The Free World" as a soundtrack for revolution. Little did we realize how prescient the post would become.
The album contains the song "Rockin' In The Free World" and is one of Young's most popular, important and prophetic songs of his vast catalog.
The song has become an iconic anthem and it's status continues to rise as more and more artists cover the song. Young's lyrics are considered to be an indictment of the politics of the 1980's. In today's post-9/11 world, the lyrics seem prophetic and even more meaningful than when originally written on the eve of the '90's as the Berlin Wall fell.
Twenty years on, the song "Rockin' In The Free World" has become a set closer for bands,as well as, a coda for an era.
"There's colors on the street Red, white and blue"
In 2009, Pearl Jam concluded their tour at the Philadelphia Spectrum with "Rockin' in the Free World" amidst an avalanche of balloons and confetti to commemorate the final concert at the historic venue before it's demolition.
Yet the song is often misunderstood and attacked on false interpretations and misplaced understandings. Witness some of the near violent comments that have been left on this blog over the years in reaction to some of our previous postings on the song's lyrical analysis (see comments here and here.)
"But there's a warnin' sign on the road ahead There's a lot of people sayin' we'd be better off dead Don't feel like Satan, but I am to them So I try to forget it, any way I can." Freedom: Kent State University, Ohio - 1970
As always, we live in dangerous times where those who stand for freedom are often accused of treason and worse. Such times are now and the struggle for freedom -- even among those who feel they are actually free -- is more paramount than ever. The right to live and speak freely is an inalienably human right that can never be assumed nor taken for granted.
Like so many of Neil’s songs, RITFW can mean a lot of things to a lot of people.
For me a few things stand out, but as an overall picture James Lane’s comment comes very close to summarizing the song: "The tune warns us of the complacency of our own lives and the lack of empathy we express for people who are not blessed with the benefits and cushy lifestyle the majority of Americans enjoy. The song is a musical signpost telling us not to lose sight of the problems our society and its less fortunate members face. It is a song of insight attempting to awaken us to the reality of a culture seen on a wider screen…”
As Gil Scott Heron once said in 1970, "The revolution will not be televised". Today he might say it will be blogged, streamed, tweeted, shared and liked.
Neil Young has spawned many children in the indie/folk-rock community, many of whom have directly constructed their style based on the Canadian humanitarian's more acoustic oeurve rather than the ragged-glory feedback cues that goosed grunge gods like Pearl Jam a generation ago.
The blog goes onto document Neil Young's influence on indie-rockers such as The Fleet Foxes, J. Tillman, Castanets, Conor Oberst & the Mystic Valley Band, Vetiver and A.A. Bondy.
This astonishing warming in the past century is clearly not, as the anti-science crowd likes to say, some sort of recovery from the so-called Little Ice Age (see “A detailed look at the Little Ice Age“), which, in any case, is barely noticeable in this data. The lead author, Robert Spielhagen of the Leibniz Institute of Marine Sciences said, “Such a warming of the Atlantic water in the Fram Strait is significantly different from all climate variations in the last 2,000 years.” The fact is, over 90% of human-caused warming is going into the oceans — and it is melting ice whereever it goes (see “Deep ocean heat is rapidly melting Antarctic ice“).
Whether illusion or not, Here Comes "The Big Shift". Be ready for disclosure and transparency. Free will and personal sovereignty will prevail on the other side...
Neil Young, along with Elton John, Paul Simon, Bette Midler and John Legend will be among the presenters at the Rock and Roll Hall of Fame’s 26th annual induction ceremony Monday, March 14, at New York City’s Waldorf-Astoria Hotel.
The incoming Hall of Famers include Alice Cooper, Neil Diamond, Dr. John, Darlene Love, Tom Waits and Leon Russell.
Our bet? Neil Young will induct Tom Waits.
This marks at least Neil Young's fifth sixth time as an inductor of a Hall of Famer:
On January 15, 1992, Neil Young inducted Jimi Hendrix into the Rock & Roll Hall of Fame. In his induction speech for Jimi, Neil said:
Young: Guitar -- you can play it or transcend it. Jimi showed me that. He was at one with his instrument. I just looked at it, heard it, and felt it and wanted to do it.
Hendrix threw a Molotov cocktail onto rock & roll."
Later that night, Young would pay tribute to Hendrix's guitar legacy by performing "Purple Haze" with Keith Richards.
Neil Young performing “Harvest Moon” on Saturday Night Live on December 5th, 1992.
Neil Young's 1992 "Harvest Moon" is the followup to his most commercially successful album "Harvest" - some 20 years later.
"Harvest Moon" was recorded with many of the same original musicians who appeared on "Harvest", such as Ben Keith, on pedal steel guitar, and Linda Rondstadt and James Taylor on backing vocals. The intentional sequel nature of "Harvest Moon" created high expectations which for the most part were fulfilled. The album was accompanied with music videos and extensive interviews. All indicators of both the record label Reprise's support and even the normally reticent Young himself.
On a Canadian radio interview, Young demurred that 'Harvest Moon' was a sequel to 'Harvest':
"The whole idea of following up the 'Harvest' album is something that's contrived more from the standpoint of record companies, and mostly questions. You know, people see the correlation between the two, and it's kind of a plus to be able to refer back 20 years and see the same people and do that. But the thrust of the albums is different, even though the subject matter is similar, so I tend to shy away more from comparisons between them - they're reference points for one another.
I mean, people who have never heard of 'Harvest' may really like Harvest Moon and may end up referring back to 'Harvest' because of all this conversation about how the two of them go together..."
An enlightening interview with Pegi Young on Songfacts by Carl Wiser.
Pegi discusses a range of topics including the losses in 2010, her songwriting craft, and working with her husband.
Songfacts: When you have a couple that both do the same thing, it's always been a very interesting dynamic for me. Because some people can do that. They can run a bed and breakfast together and they're happy as clams. But if I did the same thing as my wife, we would kill each other. So I'm wondering how it is that you can do the same profession and not drive each other crazy.
Pegi Young: Well, that's an interesting question, I guess. We didn't always do the same profession. I mean, for many years I put away music and focused on raising our kids and starting the Bridge School and keeping the home scene going. And then when I started touring with him, I get treated pretty much like any other band member. He certainly doesn't cut me any more slack than anybody else. If he wants to hear something a certain way, he's the clear boss, leader of the band.
When we got together, I was playing and writing. And we would just sit around and play some stuff from time to time just for fun. But it wasn't in front of people. It wasn't professional. It was just sitting around in our living room. It's just never been a problem. He is very clear about what he hears in his music and how he wants it to sound, and I am, too. So when he comes and sits in with us in the studio, he becomes one of the band members.
So here's a YouTube clip of Neil Young winning the MTV Video of the Year in 1989.
After banning 'This Notes For You' video, MTV turns the other cheek and awards Neil with a Video of the Year honor. Presenters include Daryl Hannah, Chevy Chase & Tim Martin. And that's Arsenio Hall at the end.