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Neil Young's new release ""World Record" w/ Crazy Horse is now available for pre-order. Order here
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Thursday, March 28, 2024

NEW VIDEO: "She Moves Me" (Farmer John) | Times-Contrarian | Neil Young Archives

 She Moves Me (Farmer John) | Times-Contrarian | NYA
(Click photo to enlarge)

 

A new video of  "She Moves Me" (Farmer John) is now posted on Times-Contrarian | Neil Young Archives.

The video is from Neil Young's upcoming album "Fu##n' Up" with Crazy Horse scheduled for release on April 26.

The live concert album is from the Rivoli, Toronto, 4 Nov 2023, which featured a setlist of songs from the 1990 album "Ragged Glory" album.

More on the STEALTH GIG REPORT: Neil Young w/ Crazy Horse, Toronto - Nov. 4, 2023. 

The Rivoli, Toronto on Nov. 3, 2023
Photo by Andrew Bennett
  (Click photo to enlarge)
 

More on Neil Young's upcoming album "Fu##n' Up" with Crazy Horse scheduled for release on April 26.

 

"Fu##n' Up" Album
Neil & the Horse
 
 
“Love Earth Tour”: Neil Young w/ Crazy Horse Concert Dates (UPDATED) 

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Wednesday, March 27, 2024

EXHIBIT: "Photographs & Memories of Canadian Rock & Roll Legends" including Neil Young, Randy Bachman, & More

"Photographs & Memories of Rock & Roll Legends"
  (Click photo to enlarge)

 

Here is a note for anyone interested in the memories of Canadian rock & roll legends like Neil Young, Randy Bachman, Burton Cummings and more.

The photo exhibit is being staged to raise funds for local Mental Health in Lindsay, ONTARIO.

"Photographs & Memories of Rock & Roll Legends" presented by the former Youngtown Rock & Roll Museum (2007 to 2017)

100% admission proceeds will be donated to a local Mental Health Service.

Youngtown closed late September 2017 but they still have lots of pictures to exhibit.

The exhibit display will be well over 175 photographs of the museum, the collection, noted music artists, musicians and related personalities we were fortunate to meet and photograph during the Youngtown period of operation.

Admission is by donation of $5.00, $10.00, or $20.00 at the door.

Come and have some fun and support this most important cause - Mental Health.

One day only! Saturday April 13th at The Lindsay Lounge 10:00am - 5:00pm (Lindsay, Ontario)

For further details contact Trevor "T.R." Hosier @ youngtownmuseum@hotmail.com or 705 340-5550
(and be sure to thank Trevor for supporting the cause and tell him that thrasher sent you!)
 

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Youngtown Museum - Omemee, Ontario, Canada
(see Youngtown Museum Closing Sept. 10, 2017)


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Tuesday, March 26, 2024

Comment of the Moment: Neil Young Archives Timeline Concert Highlights

"Timeline Concert of the Week" | NYA

 

Last week, we featured a post on Timeline Concert Highlights on Neil Young Archives .
 
 
All three sets of the Canterbury House show in Ann Arbor, Michigan from October 16th, 1969 is my favorite Timeline Concert so far. 
 
 That is such a unique one-off evening (i.e. 8, 10 & midnight shows) that were just months after Woodstock which was also a time period in the midst of recording Deja Vu and just after the summer when "Everybody Knows This Is Nowhere" was all over FM radio. As usual, so many new songs and each show ended with a solo acoustic version of "Country Girl" which wouldn't be recorded for a few weeks.

In fact, the "Country Girl" recorded at the Canterbury House had extra lyrics that didn't make the cut for Deja Vu.

Rather brilliant move by the Canterbury House to book two shows at once for both November 10, 1968, when Neil Young was relatively unknown after the break-up of the Springfield, and also for October 16th, 1969. Elliott Roberts was very familiar with the Canterbury House booking team from the shows done (and recently released) by Joni Mitchell in 1967. The venue held less than 200 people and was often SRO for acts like Joni Mitchell, Neil Young, Lowell George/Little Feat, Captain Beefheart, Dave Van Ronk, Odetta, Doc Watson, Len Chandler, the Jim Kweskin Jug Band, the New Lost City Ramblers, David Ackles and Steve Noonan. Plus, Ann Arbor (known as A2 locally) is such a cool place to hang out anyway. Pretty sure every act that played the Canterbury House was recorded at the soundboard on reel to reel tape that was state of the art at the time. A few months after the 1969 Canterbury House show Neil Young returned to the Detroit area with CSNY for a show at the Masonic Auditorium.

Here is part of a summary of what happened at the Canterbury House in Ann Arbor that was written for the University of Michigan paper, Michigan Daily:

“It was wonderful in so many ways,” Rubin said. “It was a religious organization first and foremost … but a lot of the ministers were very progressive so it became a place where people who were part of ‘the Movement’ gathered and went for meetings, to hang out, to go to services on Sunday. I am not religious, and I didn’t grow up Christian but even I went to services. They were just really profoundly pleasant and inspiring services to go to. Also, one of Ann Arbor’s first health food restaurants was located as a little kind of salad bar in the front of Canterbury House.”

Although Rubin currently still DJs from time to time, she finds the differences between recorded and live music to be crucial to an audiophile. As you can tell from recordings such as Neil Young’s Sugar Mountain – Live at Canterbury House 1968, shows at Canterbury were nothing like the recorded material from the same artist. They told stories, they had extended asides, or “raps” as the Young reissue calls them, and they could converse with the intimate crowds. Rubin said this is where the beauty of live music rings true.

“Recorded music always sounds the same, because once it’s recorded, it’s like publishing a book. It’s codified. It’s there on a page,” Rubin said. “Live music is more spontaneous. It can vary quite a bit more … And the way sound works live is very different than the way it works coming off of a stereo or coming out of speakers … You can feel the air move and you certainly could at Canterbury House.”

https://www.michigandaily.com/statement/you-cant-bury-canterbury/

When asked elsewhere by another reporter why he played the Canterbury House Neil Young with Elliott Roberts sitting next to him he responded,

“Well, cause this is a groovy place. It’s got a good reputation and it’s crowded, really good crowds, and it’s the best place to start, because the crowd is receptive."

When the single, “Heart of Gold,” was released the flip side was “Sugar Mountain” that was recorded live at the 1968 show for the Canterbury House. Must say, in Michigan both sides of the single were often played because of the local venue. Those Canterbury House recordings then became almost mythological as Neil Young’s fame grew over the years. 
Thanks Jim for the CotM! So glad Canterbury House made it out of the vaults.


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John Lennon and Neil Young


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The Supergroup of the 20th Century



Director Jonathan Demme's Exquisite film "Heart of Gold"

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Eddie Vedder and Neil Young

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Revisiting The Significance of
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Young Neil: The Sugar Mountain Years
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Bob and Neil

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So Who Really Was "The Godfather of Grunge"?


Four Dead in Ohio
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So What Really Happened at Kent State?


The Four Dead in Ohio



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dissent is not treason
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Rockin' In The Free World



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"Powderfinger"
What does the song mean?

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Bonnie Raitt and Neil Young

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UNITED WE STAND/DIVIDED WE FALL


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A battle raged on the open page...
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Even Though The Music Died 50+ Years Ago
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Show Me A Sign

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To ask the question is to know the answer

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Words

(Between the lines of age)


And in the end, the love you take
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the zen of neil
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~Om-Shanti.

Namaste