COVER: "Rockin In The Free World" by Bruce Springsteen, Dave Grohl, Dave Matthews + More, Columbia, MD - 10/3/2026
Labels: #KORITFW, bruce springsteen, concert, cover, neil young, rockin in the free world
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An unofficial news blog for Neil Young fans from Thrasher's Wheat with concert and album updates, reviews, analysis, and other Rock & Roll ramblings. Separating the wheat from the chaff since 1996.
Labels: #KORITFW, bruce springsteen, concert, cover, neil young, rockin in the free world
"Thank you, Bruce.As a dual Canadian-American citizen, I join the vast majority in thanking you for speaking so eloquently and truthfully on behalf of the American people,We are with you, my old friend."
Labels: bruce springsteen, concert, donald trump, neil young
Earlier, Neil Young issued a statement of support for Bruce Springsteen, after a Springsteen concert on May 14 in Manchester, UK where he made critical comments about US President Trump."TRUMP!!! What are you worried about, man?Bruce and thousands of musicians think you're ruining America. You worry about that instead of the dying children in Gaza. That's your problem. I'm not afraid of you. And neither are the rest of us. You shut down FEMA when we needed it most. That's your problem, Trump.STOP THINKING ABOUT WHAT ROCKERS SAY. Think about saving America from the mess you made. Taylor Swift is right. So is Bruce. You know how I feel. You're more worried about yourself than AMERICA. Wake up, Trump!! Remember what the White House is?86/47??? That's what you're thinking about? You're forgetting your real job. You work for us. Wake up, Republicans! This guy is out of control. We need a real president!Neil Young and many others."

Labels: bruce springsteen, concert, donald trump, neil young
"Thank you, Bruce.As a dual Canadian-American citizen, I join the vast majority in thanking you for speaking so eloquently and truthfully on behalf of the American people,We are with you, my old friend."

Labels: bruce springsteen, concert, donald trump, neil young

Kurt Vile released his new album "Watch My Moves" this week. The opening track "Going on a Plane Today" has the verse:
"Going on a plane today
Listening' to "Heart of Gold"
Gonna open up for Neil Young
Man, life can sure be fun
Imagine if I knew this when I was young"
From "Kurt Vile on the Influence of Neil Young and Bruce Springsteen, and His Latest Sprawling ‘Masterpiece’ Watch My Moves" | SPIN by Corbin Reiff (thanks Hambone!):
SPIN: On the first track, “Goin On A Plane Today,” you sing about opening up for Neil Young. What would a young Kurt Vile think about realizing a dream like that, if we went back 20 years, 25 years ago?
Kurt Vile: That’s exactly what I say in the song. I say, “Imagine if I knew this when I was young too. I mean, I liked Neil Young back in my teens, but I got obsessed in my 20s at some point similarly. I loved his music anyway, but then you read [Jimmy McDonough’s biography] Shakey and then you realize, he’s the God. He’s God.
Full interview @ "Kurt Vile on the Influence of Neil Young and Bruce Springsteen, and His Latest Sprawling ‘Masterpiece’ Watch My Moves" | SPIN by Corbin Reiff.

Kurt Vile and Neil Young
(via Rusted Televisione)
More on Kurt Vile's love of Neil Young's music.
Labels: bruce springsteen, kurt vile, neil young
A little Friday Morning Fun.
Regarding above photo of Neil Young and cheerleader, the question arises: "What is really going on here?!"
Well it ain't exactly clear, is it?
First, this is an actual real concert photo of Neil Young. Not a fake photoshop.
Second, most guesses are this is a Greendale scene with "Sun Green" as cheerleader. However, that is obviously not the Greendale "Sun Green" character.
And judging from some of the other theories put forth, this isn't Neil going rogue or cavorting with some former [FILL IN THE BLANK].
Actually, the photo is from the 2013 MusiCares tribute to Bruce Springsteen with Neil Young & Crazy Horse.
Neil Young & Crazy Horse cover "Born In The USA"
w/ Nils Lofgren & "The Signing Cheerleaders"
More coverage on Neil Young News: Bruce Springsteen 2013 MusiCares Tribute: Neil Young & Crazy Horse cover "Born In The USA"!?!.
Also, more on "Sun Green" in "Greendale" by Neil Young.

Labels: bruce springsteen, crazy horse, greendale, neil young
ORIGINALLY PUBLISHED NOVEMBER 11, 2013 - UPDATE: 10/20/2019

"You know, the difference between the greatness of Bruce Springsteen and that of Neil Young as someone once explained to me back in college: Bruce makes you think you, too, can be as great as he is; Neil makes you think he is really no better than you are to begin with. Remember that."
Dr. Eric Alterman - Altercation
There are a great many similarities between Neil and Bruce.
The only real differences are the tone in their guitars and their voices. Both want things to be immediate and emotional, not over-rehearsed. They don’t micromanage. They both like ragged, emotional rock ‘n’ roll. I guess when you look at things like “Tonight’s the Night,” Neil might let things get a little more ragged. But in both bands I’m given enormous latitude to play what I feel.


Bruce Springsteen & Neil Young both have album releases today with a horse on the cover.https://t.co/PIY8h4DpXz
— ThrashersWheat (@ThrashersWheat) October 25, 2019
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@nilslofgren @NeilYoungNYA @springsteen
#CrazyHorse4HOF @CrazyHorse4HOF https://t.co/Hw401pf3nl pic.twitter.com/QpZ3OOCJA3
Well, Bruce is a great artist and a great guy too. Bruce has this attitude of crowd pleaser. Neil has probably more artistry than Bruce. Neil seems less conditioned by the fame and money than Bruce. Neil, at a certain point of his career, chose the ditch. I hardly could think now about a concert of Harvest or After Gold Rush songs. Bruce plays for the stadium masses and can play the entire Darkness, BITUSA albums for the fans. Neil plays for himself according to his actual vision. Bruce plays 150 songs, Neil his preferred 15 for that tour.
I think that recording contracts of 70,000,000 dollars or playing in the stadiums have a price on your artistic freedom. Neil "plays" in a smaller scale.
Finally, Bruce wants to be great. I don't know, but he has 15 people playing with him. Neil plays solo or with 3-4 people. Often the Boss productions are overblown. Bruce "butchered" his old Darkness outtakes with new overdubs for his Promise album, Neil just edited a couple of songs for his Archives.
Both great artists, but I love more Neil. It's challenging to be a Neil fan.
Both are brilliant artists. But I much prefer Springsteen's music. I find I rarely listen to Young, but I often listen to Springsteen. Springteen has continued to do great work late in life. I don't think Young's recent work has been anywhere close to the caliber of his earlier work or of Springsteen's later work, so much so that I mostly stopped keeping up with Young after Mirror Ball -- I did hear his last few albums and didn't like them much at all; I though the songwriting on Psychedelic Pill was weak; Americana while it sounded like an interesting idea for an album didn't make for very good listening, Le Noise was just bad and underbaked. By contrast I think some latter day Springsteen, like Magic and Wrecking Ball, were excellent albums. So, I could make the argument that Springsteen's better because he's remained more consistent and more consistently good throughout his career. But of course Young's more prolific and more of an experimenter which is one of the things that's great about him although it's a quality that I think has produced spotty results. It's really just preference. Springsteen's music interests me more and touches me more, but I have profound respect and admiration for Neil Young.And we'll add this comment by Neil Young FAQ author Glen Boyd
Interesting piece Thrasher.Thanks Glen and all for your Bruce & Neil thoughts.
One thing I would disagree with for sure is Caryn's observation that Springsteen worries too much about what his fans think and doesn't take enough chances.
I would actually compare the Springsteen of the nineties to the neil Young of the eighties in many ways.
Think about it. Neil confounded his fans in the eighties by making a string of wildly experimental genre-bending albums...from the electro synth of Trans to the rockabilly of Everybodys Rockin to the country of Old Ways.
Bruce meanwhile confounded his fans in the nineties by firing the beloved E Street Band; releasing two albums simultaneously with a group of non-descript studio musicians and then touring with the same; and then pretty much disapearing off the radar altogether for the rest of the decade save for a decidedly dour and non-commercial record based on a Steinbeck novel (Tom Joad).
Right now, Neil is basically back on track doing one of the two things his fans love (there's that duality again) with the Prairie Wind/Heart of Gold accoustic thing. From what I read of his speech at SXSW, his next move is going to be a "loud one", which should please those other fans who dig the cranked to eleven thing.
Meanwhile, Bruce is doing an album of cover tunes by a folk music icon...complete with the fiddles and banjos...less than a year after a solo accoustic tour. Personally, I'd be lying if I said "The Seeger Sessions" has me exactly quivering with anticipation. To be honest, the song snippets I have heard from that record thus far haven't thrilled me much either.
And much as diehard fans like myself will tell you they liked Nebraska and Devils and Dust (both of which I did very much), I would also maintain that the quiet accoustic sound just sounds a lot more natural (at least to me) when Neil Young does it.
So you tell me who is the artist most pleasing his fans right now?
The E Street Band aren't getting any younger and with every minute Bruce spends exploring his "inner folkie", the clock ticks down on the possibility of one last E Street album and tour.
Quite the contrary. Bruce seems to have no problem exploring his muse and basically saying "Folk You" to those of us fans who don't like it right now.
"Other than, say, Bruce Springsteen, who else has better expressed the late 20th and early 21st century American experience? Whether it was "Ohio" or "Rockin' in the Free World," or "Southern Man" or "Unknown Legend" or even "Old King," Young has always given voice to the meaning of life among the amber waves of grain, the crack-laden neighborhoods or the romantic longing of an American heart."

"Springsteen is both the most populist and (in terms of sales and live audience) the most popular. His songs spring out of the American maverick tradition with echoes of Steinbeck, Kerouac, Ginsberg and (in his new collection) Cormac McCarthy. His music has the blood of tradition in its veins and high art in its sights.
Yet unlike many of his singer-songwriting peers, Springsteen does not neglect his role as an entertainer. With the E Street Band, he comes from the American school of road-tested rock and roll that has, in lesser hands, given us so many efficient but essentially soulless showbands.
Springsteen combines the best of two very different worlds, the highly personal songwriter and the crowd-pleasing entertainer. He is, in effect, Bob Dylan and Elton John rolled into one. It is an unusual but compelling combination that makes him arguably the greatest solo performer of all time."

"Neil Young constitutes with Bob Dylan and Bruce Springsteen the great triad of 'moral' voices of American popular music.
As is the case with the other two, Young's art is, first and foremost, a fusion of music and words that identifies with his era's zeitgeist. Unlike the others, though, Young is unique in targeting the inner chaos of the individual that followed the outer chaos of society. While Dylan 'transfers' his era's events into a metaphysical universe, and Springsteen relates the epic sense of ordinary life, Young carries out a more complex psychological operation that, basically, bridges the idealism of the hippy communes and the neuroses of the urban population. His voice, his lyrics, his melodies and his guitar style compose a message of suffering and redemption that, at its best, transcends in hallucination, mystical vision, philosophical enlightenment, while still grounded in a context that is fundamentally a hell on earth."
"I actually found one comment interesting...and that was the one about comparing Bruce fans who miss the E Street Band to the way Neil fans miss Crazy Horse.
Not the same at all.
Neil has carved out a very effective "duality" in my view.
The quiet, accoustic Neil resonates every bit as effectively as the cranked up to eleven Neil does.
When Neil is doing his full on, cranked up to eleven electric thing, it's more about Neil's guitar playing than it is about the band (Crazy Horse)."
"Bruce, regrettably, cares a little too much about letting his fans down. He needs to take more chances, not less. Neil doesn't care whether or not the fans get cranky, as evidenced on the Greendale tour and what happened with the audience reaction there. Neil just GOES. They are wildly divergent personality types and you might as well compare Springsteen to Sinatra."

Another Bruce and Neil connection occurred at the Academy Awards on March 21, 1994. Coincidentally, both Springsteen and Young were both nominated for Best Song in a Movie -- and in the same film -- Jonathan Demme's "Philadelphia". Bruce's nominated song was the film opening "Streets of Philadelphia" and Neil's was the closing title track "Philadelphia".
Bruce Springsteen won the Oscar award for his song "Streets of Philadelphia". In his acceptance speech, Springsteen acknowledged Young and said that the award really deserved to be shared by the other nominee's song.
In 1994, Bruce Springsteen, Bob Dylan and Neil Young joined on stage at the Roseland in New York City to perform 'Rainy Day Woman' and 'Highway 61 Revisited'.
At the 1995 Bridge School Benefit Concert, Springsteen joined Young for an encore of 'Down by the River'. Young remarked: "Bruce says he doesn't have any more songs, so we'll do one of mine".

"Bruce Springsteen and Neil Young have both been playing this sort of acoustic, singer/songwriter-type music for more than 30 years, so it’s not a crime if they repeat themselves from time to time. On the other hand, it surprises me when other writers blatantly ignore the fact that none of this is worth listening to more than a couple times – especially if you already own the artists’ older albums. UK writers always have a flare for the dramatic, but I think Guardian pushes the limits by calling Prairie Wind, “one of Shakey’s best.” Outrageous. Rolling Stone gave Devils & Dust 4 ½ stars, which seems incredibly polite."
Labels: bruce springsteen, neil young

"You know, the difference between the greatness of Bruce Springsteen and that of Neil Young as someone once explained to me back in college: Bruce makes you think you, too, can be as great as he is; Neil makes you think he is really no better than you are to begin with. Remember that."
Dr. Eric Alterman - Altercation

Labels: bridge school, bruce springsteen, neil young