FLASHBACK: Neil Young On Broken Arrow Ranch, ~1972
Here's Neil Young on his Broken Arrow Ranch around ~1972 from The Neil Young Archives.
Labels: archives, neil young
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An unofficial news blog for Neil Young fans from Thrasher's Wheat with concert and album updates, reviews, analysis, and other Rock & Roll ramblings. Separating the wheat from the chaff since 1996.
Labels: archives, neil young

More on Jonathan Demme and Neil Young.So when you finished Heart of Gold, did you know you wanted to make another Neil Young movie?
Well, I knew I wanted to get back in Neil Young’s world. Then when they went out on tour for Chrome Dreams II in 2007, Elliot Roberts invited me to take a look. The show was lit by (“Trunk Show” lighting designer) Peggy Eisenhauer, and it had a particularly interesting visual quality. ... My only reservation was I didn’t want it to be another Heart of Gold. ... With Heart of Gold, Neil and I were like Siamese twins from the get-go. With this one he just said: Do it.
Heart of Gold is so calm, and Trunk Show is wild and unruly. It’s sort of the yin to Heart of Gold’s yang.
Yeah, and we were honoring Nashville and the Grand Ole Opry with Heart of Gold. With this, in my head I was thinking we should really take a punk approach. Get there, shoot it, in your face, try to capture it. And the thing we were trying to honor was the unhinged spirit of rock ‘n’ roll.
You’ve been to Neil’s live shows, right? I finally got to see him live in the 1990s. Isn’t it true that there’s that thing that happens at a Neil Young rock ‘n’ roll show where you don’t want the song to end? You’re like, “Is this going to be the end? No, they’re building it up again. Here we go. ...” I love that.
In Trunk Show you captured one of those monster jams in its entirety. “No Hidden Path” lasts for 23 minutes.
When we filmed “No Hidden Path,” I thought, obviously this is too long to be in a movie. But what if it could be? So in the cutting room, what we wound up doing was justifying our choices by saying, how do we get “No Hidden Path” in there? There’s no rule that you have to be chronological, or acoustic comes first, and electric last. So we kept alternating, and altering the mood. But it had everything to do with justifying this giant epic in the middle.
Why did you shoot it at the Tower?
Neil’s thing was, “I want to play in theaters where there are lots of ghosts.” Not just rock ‘n’ roll, but classical, vaudeville, whatever. ... You’ll see there’s some grainy footage in there, shot from the balcony. Those are ghost views, suggesting the ghosts came out and watched a little bit of the show. Neil conceived of it as a valentine to performers, and performance. I like that and I was moved by it. The Tower was a two-night stand, and Neil thought it was particularly beautiful. So we jumped on the train from New York and came down, set up and shot.
With Philadelphia, Beloved and now this, that makes three in your Philadelphia oeuvre.
That’s right! And one in the 21st century now.
How did the Tower suit you?
It was great. Don’t we love those shrines? That great marquee. I hadn’t even thought of the need for an exterior shot, but as soon as we rolled up I thought, “OK, that’s in.”
You know, I love this movie. It’s a dreadful thing to say, but I have to say it. I love it and I feel like I’m sucked inside the music by the way some of these (camera operators) shot it.
The cameras linger on Young’s face, and his hands. You made a movie about Neil Young’s face.
Does everybody talk about guitar face, or is that just my wife? No one gives guitar face like Neil Young. And piano face! And I love him for that. He doesn’t care what he looks like. Zero ego. This is actually something he said to me: “I don’t have a bad side, because I don’t have a good side.”
You’ve got a lot of cameras working in this movie, but you never fall into that quick-cutting trap.
If you’ve got fantastic musicians playing, don’t you want to watch them? There’s been some amazing stuff done with the quick-cut style. But I just believe that there are people who want a concert experience — and want to trip out on the music.
Is there going to be a third Neil Young movie?
I’m praying there’s going to be a third. It’s not about matched sets. It’s about trilogies, at least in the world of Neil Young. We’ve bandied a couple of ideas about. We’ve done two, we’ve got to do three.
You use a lot of musicians as actors in your films. Robyn Hitchcock in “The Manchurian Candidate,” Tunde Adebimpe (of TV on the Radio) in “Rachel Getting Married.” Why?
If you get up on stage in front of the microphone and you carry people away with your performance, it’s not going to be that hard to talk good, too.
So what’s your answer to the question, aren’t there enough Neil Young movies already?
The stack is way too little. We need more. Absolutely. We need more.
Labels: film, jonathan demme, neil young


But the director [Demme] wanted to shoot more than a concert doc, so he took Young on the road in his 1956 Ford Crown Victoria from his home town of Omemee, Ontario to Toronto. “He makes me think of what wandering troubadors must have been like,” says Demme. “Like a Shakespeare company going around with new material by the same author. He has an amazing team of people who make it possible.
He’s an authentic creator, confident performing; he doesn’t censor himself.”
The WB CD for Neil Young Journeys with three new songs should be out before the end of the year. Eight songs are from the Daniel Lanois-produced Le Noise album, and six are reworkings of classic songs.
[Regarding Trunk Show release] Warners has yet to release the DVD. “It’s frustrating,” Demme says.





Labels: jonathan demme, neil young
If we go with the August '76 date and assume he plays 9 of his newest unreleased songs then the track list might be something like this:Thanks Lone Red Rider, Syscrusher and everyone else who contributed!
Hitchhiker
One Way Ride
Stringman
Too Far Gone
Sad Movies
Evening Coconut
Bite The Bullet
Campaigner
Hold Back The Tears
But I have Hitchhiker being written in 1975 at the same time as Cortez The Killer. This opens up the possibilities for a more interesting track list. If I could give him a 9 song set it might go like:
Hitchhiker
Cortez The Killer
Lookout For My Love
Powderfinger
Ride My Llama
Sedan Delivery
Country Home
Evening Coconut
Campaigner
Labels: album, neil young, unreleased
"I spent the night there with David and recorded nine solo acoustic songs, completing a tape I called Hitchhiker.The song "Hitchhiker" was released on Neil Young's 2010 album Le Noise.
It was a complete piece, although I was pretty stony on it, and you can hear it in my performances. Dean Stockwell, my friend and a great actor who I later worked on Human Highway as a co-director, was with us that night, sitting in the room with me as I laid down all the songs in a row, pausing only for weed, beer, or coke. Briggs was in the control room, mixing live on his favorite console.
Labels: album, neil young
Labels: cover, neil young