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Tuesday, August 31, 2010

Anatomy of Neil Young’s ‘Old Black’ Guitar

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Neil Young’s ‘Old Black’ Guitar


Universally amongst fans, Neil Young's guitar ‘Old Black’ is the stuff of legends.

From the crunchingly brutal Crazy Horse feedback fests to this year's solo electric, the Gibson Les Paul guitar has played witness to the full range of Neil's ragged glory. So if you're interested in the anatomy of Neil Young’s ‘Old Black’, check out Gibson News - Neil Young’s ‘Old Black’ Magic by Ted Drozdowski.

Here's a clip on the “wheat stack” that caught our eye in particular:
There is speculation about the year of “Old Black”’s neck. It has a partially painted-over pearloid inlay on its headstock that appears to be a “wheat stack” rather than split trapezoid style. The “wheat stack” inlay was applied to Gibson necks made between 1961 and ’68, well past “Old Black”’s vintage. Of course, most of the paint is off the back of the guitar’s mahogany neck after decades of brutal and beautiful playing, and the binding is equally frayed. Also, there’s another aluminum plate in the rear, just under the bridge to access the bridge screws from behind.

All of which reminds us of an incredible story posted awhile ago by Geoff:
I feel compelled to offer some history on this instrument.

I saw (and met) Neil the last Sunday of his opening week with Crazy horse at the Troubadour in LA, April 1969 with a friend named Jennifer Starkey... back when Old Black was Young!

The guitar was traded from Jim Messina in 1968 for a Gretsch and used on Neil's first solo album and the 'Everybody Knows This Is Nowhere' LP. I have vivid memories on how the guitar was decked out that night and can verify most of it with a photo from an old poster.

The details are as follows:

*The instrument was a beautiful gloss black with an old punch-print tape strip above the pickups that read: 'It ain't easy bein' a fuckin' indian!'
*The bigsby was a B-3 model (like a B-7 without the under-strung tension bar)
*The stop-bridge holes and bushings were open, and still are.
*The bridge coil was an old black face Rowe DeArmond M5A single coil as found on 50's Gretsches and Guilds. (This coil was left for repairs at a shop that folded and the coil disappreard. For a short time the LP was fitted with a Gretsch Filtertron but was replced in '72/'73 with a Firebird coil and the current B-7 Bigsby.)
*At that time the headstock was indeed nicely bound with creme binding and, even then, sported the Gibson crown inlay.
*The tuning machines were Grover N-102 roto-matics.

He played the first set with Crazy Horse (Danny Whitten using Neil's Gretsch 6120 and both of them using Fender Bandmasters reworked for overdrive by a guy named Randal!) But the second set Stephen Stills showed up and the two of them drank champagne, played their Martins, and sang just about every Buffalo Springfield song ever written.

All that was missing was Richie!

Quite an evening...

Geoff

Good memory Geoff! You don't see that much accuracy coming back from '69.

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Guitar Tech Larry Cragg with ‘Old Black’


More photos and articles on Neil Young's guitars.


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11 Comments:

At 8/31/2010 07:59:00 PM, Blogger Rockinrob86 said...

This comment has been removed by the author.

 
At 8/31/2010 08:02:00 PM, Blogger Rockinrob86 said...

Thrasher, some additional info I have picked up from years of researching guitars:

The licensing agreement between Gibson and Les Paul was allowed to lapse in the early 60s, and after this point gibson was not able to use the Les Paul name anymore. As any gibson player knows, the headstocks on these guitars are fragile and susceptible to breakage. Also, if an instrument is dropped, the neck could crack or break off at many locations. Most of the time, the necks can be repaired, but sometimes a replacement is the only solution. There are several examples of 50s les pauls that were renecked in the 60s, and these instruments feature the wheat stack inlay, like on Old Black.

When instruments were sent in for work such as this, it is not uncommon for other modifications to be made at that time. This is probably the explanation for the extra binding around the headstock.

Many people also wonder about the small switch on Old Black. According to the videos made during the living with war period, this switch allows Neil to bypass the controls on the guitar and send the output from the pickup (not sure if this is both pickups or just the bridge) directly to the amp. The potentiometers in a guitar load the signal down, resulting in a loss of treble and a small loss of gain. A bypass switch such as this is an easy way to add a little bit more bite and gain.

Now if we could only figure out what the extra toggle switch covers are for????


Glad to have you back thrasher!!!

 
At 9/01/2010 12:42:00 AM, Blogger Sound Style Sun said...

And here I am again!

Old black is Gold!

 
At 9/01/2010 01:05:00 AM, Blogger asg said...

somewhere I've read that Ol' Black began life as a '53 Goldtop...

 
At 9/01/2010 09:32:00 AM, Blogger Dylan Schibanoff said...

I have been obsessed with Old Black for years. Definitely the coolest guitar in existence, in my opinion. I love it so much that I did this painting to highlight some of its most unique parts. Please check it out, and I hope you like it.

http://www.lespaulforum.com/forum/showthread.php?t=168492

I plan on doing one of Hank in the near future to continue the Neil collection.

Keep on Rockin'

-Dylan

 
At 9/01/2010 09:51:00 AM, Blogger Old Black said...

The description of the "young" Old Black is very innaresting and agrees very well with other accounts and photos. Old Black has been an obsession of mine for about 5 years - since I built (from scratch) a copy. In the intervening years, I have tried to "fill in the blanks", if you will, and made some modifictations to the original. Even so, there are some mysteries (still!). I used to think it was plausible that Old Black was not a '53 gold top but a 68 gold top Deluxe - the first batch produced during this year were routed for minihumbuckers (same route as a p90) and had the wheatstack inlay on the peghead. I now believe this to be unlikely. Larry Cragg has insisted its a 53 gold top and has discussed the lower neck angle of the 53 and its relationship to the B7. I think it probably was renecked (the Deluxes did not have headstock binding. The binding has been pulled off - not sure when. But what is innaresting is that even with the binding off, it is still sort of "white" because the peghead is holly veneer and not the modern black fiberboard. This is a good indication that it is a 50's-60's neck. I would still like clarification on the origin of the skunk stripe white binding (when, who, why?) and what the hell is behind the second round control cover on the back. What I wouldn't give for 5 minutes with the real Old Black and a screw driver! Also, what year is the Firebird pickup (want to know about potting and the microphonics)? What is the metal and plating of the pickguard? Is the neck binding scalped to the frets or did that go bye-bye when Larry refretted (and then undid the refretting) the neck? Gotta love the mystery!

 
At 9/01/2010 11:21:00 AM, Blogger doc said...

Old black, I would really like to comment on the skunk stripe white binding....but I made a promise to Thrash after the resurrection or the 2nd coming that I would never be inane and innocuous again.
my apologies

doc

p.s.seriously, I would dearly luv to be able to play guitar and I admire your obsession to something you guys obviously luv..each to his own I say

 
At 9/01/2010 02:43:00 PM, Blogger asg said...

I THINK Neil ( Larry Cragg)said the bypass switch is for the Firebird pick-up only...and (not that anyone has yet) *I* wouldn't argue with anything Larry Cragg sez about the guitar, although even HE could be wrong at some point I guess...

 
At 9/01/2010 06:27:00 PM, Blogger asg said...

trying to picture Messina using a White Falcon...can't...

 
At 9/02/2010 10:43:00 AM, Blogger WBKM.org said...

How could you ever leave that night behind....you go to see Neil, Stephen shows up and they play Springfield tunes on old Martin's.....how could you go home after that?

 
At 9/22/2016 12:19:00 PM, Blogger dee mac said...

Posting again as i forgot to tick the email to follow ups box - doh!
what are the neck specs of old black?? 50s? 60s? slim? fat? wider than normal of normal width?
thank you
Dw

 

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